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James McNeill Whistler Collection (page 8)

James McNeill Whistler was an American-born, British-based artist who worked in the late 19th and early 20th centuries

1,827 items

Background imageJames McNeill Whistler Collection: Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper)

Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper)
FSG324885 Three Whistler Butterflies (crayon & Chinese white on lithographic transfer paper) by Whistler, James Abbott McNeill (1834-1903); 21.5x16.4 cm; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Three Whistler Butterflies and one destroyed sketch, c. 1890 (crayon on paper)

Three Whistler Butterflies and one destroyed sketch, c. 1890 (crayon on paper)
FSG324884 Three Whistler Butterflies and one destroyed sketch, c.1890 (crayon on paper) by Whistler, James Abbott McNeill (1834-1903); 28.6x22.2 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: La Princesse du pays de la porcelaine (The Princess from the Land of Porcelain

La Princesse du pays de la porcelaine (The Princess from the Land of Porcelain
FSG324806 La Princesse du pays de la porcelaine (The Princess from the Land of Porcelain) 1863-65 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 199.9x116.1 cm; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Pink Note: Shelling Peas, 1883 / 84 (w / c on paper)

Pink Note: Shelling Peas, 1883 / 84 (w / c on paper)
FSG324779 Pink Note: Shelling Peas, 1883/84 (w/c on paper) by Whistler, James Abbott McNeill (1834-1903); 24.3x14.6 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: The Guitar Player, 1875 (drypoint on paper)

The Guitar Player, 1875 (drypoint on paper)
FSG324686 The Guitar Player, 1875 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 27.5x17.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Speke Shore, c. 1875 (drypoint on paper)

Speke Shore, c. 1875 (drypoint on paper)
FSG324684 Speke Shore, c.1875 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 15.2x22.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: The Piano, c. 1875 (drypoint on paper)

The Piano, c. 1875 (drypoint on paper)
FSG324683 The Piano, c.1875 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 23.4x15.8 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Two Ships, 1875 (etching on paper)

Two Ships, 1875 (etching on paper)
FSG324682 Two Ships, 1875 (etching on paper) by Whistler, James Abbott McNeill (1834-1903); 20.8x13.3 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Agnes, c. 1873-75 (drypont on paper)

Agnes, c. 1873-75 (drypont on paper)
FSG324679 Agnes, c.1873-75 (drypont on paper) by Whistler, James Abbott McNeill (1834-1903); 22.6x15.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Fosco, 1872 (drypoint on paper)

Fosco, 1872 (drypoint on paper)
FSG324671 Fosco, 1872 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 20.7x13.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: The Model Resting, 1870 (drypoint on paper) (see also 324669)

The Model Resting, 1870 (drypoint on paper) (see also 324669)
FSG324670 The Model Resting, 1870 (drypoint on paper) (see also 324669) by Whistler, James Abbott McNeill (1834-1903); 20.8x13.3 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: The Tinker, 1858 (etching on paper)

The Tinker, 1858 (etching on paper)
FSG324636 The Tinker, 1858 (etching on paper) by Whistler, James Abbott McNeill (1834-1903); 11.1x8.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: The Rhine, near Worms and Oppeheim, 1858 (pencil on off-white wove paper)

The Rhine, near Worms and Oppeheim, 1858 (pencil on off-white wove paper)
FSG324632 The Rhine, near Worms and Oppeheim, 1858 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 20.7x16.4 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Group of three standing figures, 1858 (pencil on off-white wove paper)

Group of three standing figures, 1858 (pencil on off-white wove paper)
FSG324619 Group of three standing figures, 1858 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 15.1x10 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Seated woman, smoking, 1858-59 (pencil on off-white wove paper)

Seated woman, smoking, 1858-59 (pencil on off-white wove paper)
FSG324612 Seated woman, smoking, 1858-59 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 15.5x9.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Profile sketch of a child, 1858 (pencil on off-white wove paper)

Profile sketch of a child, 1858 (pencil on off-white wove paper)
FSG324610 Profile sketch of a child, 1858 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 12.6x10.2 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Entrance of the Grande Promenade at Baden, 1858 (pencil on off-white wove paper)

Entrance of the Grande Promenade at Baden, 1858 (pencil on off-white wove paper)
FSG324601 Entrance of the Grande Promenade at Baden, 1858 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 15x19.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Heads of two men, c. 1855-59 (pencil on off-white wove paper)

Heads of two men, c. 1855-59 (pencil on off-white wove paper)
FSG324600 Heads of two men, c.1855-59 (pencil on off-white wove paper) by Whistler, James Abbott McNeill (1834-1903); 14.1x11.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Brasserie in Mayence, 1858 (pencil on off-white paper)

Brasserie in Mayence, 1858 (pencil on off-white paper)
FSG324597 Brasserie in Mayence, 1858 (pencil on off-white paper) by Whistler, James Abbott McNeill (1834-1903); 9.9x15.2 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: Deux Artistes Celebres de Paris, 1858 (pencil on beige paper)

Deux Artistes Celebres de Paris, 1858 (pencil on beige paper)
FSG324593 Deux Artistes Celebres de Paris, 1858 (pencil on beige paper) by Whistler, James Abbott McNeill (1834-1903); 20x24.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames McNeill Whistler Collection: The Master Smith, 1895 (litho on paper)

The Master Smith, 1895 (litho on paper)
FSG324546 The Master Smith, 1895 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 10.5x7.3 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Dordrecht, 1894 (etching on paper)

Dordrecht, 1894 (etching on paper)
FSG324544 Dordrecht, 1894 (etching on paper) by Whistler, James Abbott McNeill (1834-1903); 14.8x22.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Yellow House, Lannion, 1893 (litho on paper)

Yellow House, Lannion, 1893 (litho on paper)
FSG324533 Yellow House, Lannion, 1893 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 24.3x16.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: The Clock-makers, Paimpol, 1893 (litho on paper)

The Clock-makers, Paimpol, 1893 (litho on paper)
FSG324530 The Clock-makers, Paimpol, 1893 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 20.2x14.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Gabled Roofs, Vitre, 1893 (litho on paper)

Gabled Roofs, Vitre, 1893 (litho on paper)
FSG324529 Gabled Roofs, Vitre, 1893 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 19.7x15.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Vitre: The Canal, 1893 (litho on paper)

Vitre: The Canal, 1893 (litho on paper)
FSG324527 Vitre: The Canal, 1893 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 23.5x14.8 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: The Tall Bridge, 1878 (lithotint on paper)

The Tall Bridge, 1878 (lithotint on paper)
FSG324503 The Tall Bridge, 1878 (lithotint on paper) by Whistler, James Abbott McNeill (1834-1903); 27.6x18.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJames McNeill Whistler Collection: Note in Green and Brown: Orlando at Coombe, c. 1884-85 (oil on panel)

Note in Green and Brown: Orlando at Coombe, c. 1884-85 (oil on panel)
HNT171774 Note in Green and Brown: Orlando at Coombe, c.1884-85 (oil on panel) by Whistler, James Abbott McNeill (1834-1903); The Hunterian, University of Glasgow

Background imageJames McNeill Whistler Collection: James Abbott McNeill Whistler, 1878 (b / w photo)

James Abbott McNeill Whistler, 1878 (b / w photo)
GUL232020 James Abbott McNeill Whistler, 1878 (b/w photo) by English Photographer, (19th century); Glasgow University Library

Background imageJames McNeill Whistler Collection: Green and Silver: The Great Sea (oil on panel)

Green and Silver: The Great Sea (oil on panel)
HNT171782 Green and Silver: The Great Sea (oil on panel) by Whistler, James Abbott McNeill (1834-1903); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; American

Background imageJames McNeill Whistler Collection: Lillie: An Oval (oil on canvas)

Lillie: An Oval (oil on canvas)
HNT171778 Lillie: An Oval (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; American, out of copyright

Background imageJames McNeill Whistler Collection: Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933

Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933
HNT171773 Harmony in Flesh Colour and Black: Portrait of Miss Louise Jopling (1843-1933) (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); The Hunterian, University of Glasgow

Background imageJames McNeill Whistler Collection: Ingres Roger Deliverant Angelique, 1857 (oil on canvas)

Ingres Roger Deliverant Angelique, 1857 (oil on canvas)
HNT171768 Ingres Roger Deliverant Angelique, 1857 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); The Hunterian, University of Glasgow

Background imageJames McNeill Whistler Collection: Self Portrait (charcoal on paper)

Self Portrait (charcoal on paper)
CAC157232 Self Portrait (charcoal on paper) by Whistler, James Abbott McNeill (1834-1903); Chelsea Arts Club, London, UK; American, out of copyright

Background imageJames McNeill Whistler Collection: Symphony in White, No. III, 1865-7 (without frame) (see also 106898)

Symphony in White, No. III, 1865-7 (without frame) (see also 106898)
BI88677 Symphony in White, No. III, 1865-7 (without frame) (see also 106898) by Whistler, James Abbott McNeill (1834-1903); 51.4x76.9 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageJames McNeill Whistler Collection: PD. 187-1961 Sea, Beach and Figures (pastel on paper)

PD. 187-1961 Sea, Beach and Figures (pastel on paper)
FIT66049 PD.187-1961 Sea, Beach and Figures (pastel on paper) by Whistler, James Abbott McNeill (1834-1903); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; American

Background imageJames McNeill Whistler Collection: Chapter heading depicting two peacocks in a garden with a fountain, c

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Background imageJames McNeill Whistler Collection: By the Shore, St, (oil on panel)

By the Shore, St, (oil on panel)
650776 By the Shore, St, (oil on panel) by Whistler, James Abbott McNeill (1834-1903); 23.5x31.5 cm; Private Collection; (add.info.: By the Shore, St. Ives. James Abbott McNeill Whistler (1834-1903)

Background imageJames McNeill Whistler Collection: Green and Gold, The Dancer, (watercolour on board)

Green and Gold, The Dancer, (watercolour on board)
650710 Green and Gold, The Dancer, (watercolour on board) by Whistler, James Abbott McNeill (1834-1903); 27.5x18.2 cm; Private Collection; (add.info.: Green and Gold, The Dancer)

Background imageJames McNeill Whistler Collection: The Shop Window, c. 1885-90 (oil on panel)

The Shop Window, c. 1885-90 (oil on panel)
CH378293 The Shop Window, c.1885-90 (oil on panel) by Whistler, James Abbott McNeill (1834-1903); 13.2x22.3 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames McNeill Whistler Collection: The Sea, Pourville, 1899 (oil on panel)

The Sea, Pourville, 1899 (oil on panel)
CH378288 The Sea, Pourville, 1899 (oil on panel) by Whistler, James Abbott McNeill (1834-1903); Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames McNeill Whistler Collection: Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border)

Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border)
990438 Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 12.38x9.52 cm; Private Collection; (add.info.: Aubrey Beardsley)

Background imageJames McNeill Whistler Collection: Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)

Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)
990437 Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 13.65x9.84 cm; Private Collection; (add.info.: Aubrey Beardsley)

Background imageJames McNeill Whistler Collection: Seymour Standing Under a Tree, 1859 (etching)

Seymour Standing Under a Tree, 1859 (etching)
6200331 Seymour Standing Under a Tree, 1859 (etching) by Whistler, James Abbott McNeill (1834-1903); 13.3x9.5 cm; The McManus, Dundee

Background imageJames McNeill Whistler Collection: Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)

Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching)
6200314 Eagle Wharf (Tyzac, Whitely and Co), 1859 (etching) by Whistler, James Abbott McNeill (1834-1903); 13.7x21.6 cm; The McManus, Dundee

Background imageJames McNeill Whistler Collection: The Lime Burner, 1859 (etching)

The Lime Burner, 1859 (etching)
6200310 The Lime Burner, 1859 (etching) by Whistler, James Abbott McNeill (1834-1903); 25.4x17.8 cm; The McManus, Dundee, UK; (add.info.: The proprietor, William Jones)

Background imageJames McNeill Whistler Collection: The Beggars, 1879-80 (etching)

The Beggars, 1879-80 (etching)
6200305 The Beggars, 1879-80 (etching) by Whistler, James Abbott McNeill (1834-1903); 30.5x21.3 cm; The McManus, Dundee, UK; (add.info)

Background imageJames McNeill Whistler Collection: Weary, 1865 (drypoint)

Weary, 1865 (drypoint)
6200327 Weary, 1865 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 19.7x12.7 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; American



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James McNeill Whistler Collection

James McNeill Whistler was an American-born, British-based artist who worked in the late 19th and early 20th centuries. He is best known for his painting "Whistler's Mother," which has become an iconic image of motherhood. He was also a printmaker and etcher, creating works of art that were highly influential in the development of modern art. His works often featured subtle tonal harmonies and delicate brushwork, as well as his signature butterfly motif. Whistler's artistic style was heavily influenced by Japanese prints and he often used muted colors to create a sense of harmony in his work. He is remembered today for his contributions to the world of art, as well as for being one of the most important figures in American Impressionism.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The James McNeill Whistler collection from Media Storehouse is a stunning array of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards featuring the works of this renowned artist. Whistler was an American-born painter who spent most of his career in Britain and France during the late 19th century. He is best known for his innovative use of color and composition in his paintings, which often depicted everyday scenes with a dreamlike quality. Our collection includes some of Whistler's most famous works such as "Arrangement in Grey and Black No.1" (also known as "Whistler's Mother"), "Nocturne: Blue and Gold - Old Battersea Bridge", and "Symphony in White No.2". Each piece has been carefully reproduced using high-quality materials to ensure that every detail is captured perfectly. Whether you're looking to add a touch of sophistication to your home or office decor or searching for the perfect gift for an art lover, the James McNeill Whistler collection from Media Storehouse offers something for everyone.
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What are James McNeill Whistler (Artists Arts) art prints?

James McNeill Whistler was an American artist who is best known for his paintings and etchings. His art prints are highly sought after by collectors and enthusiasts alike, as they capture the essence of his unique style and artistic vision. Whistler's works often feature muted colors, simplified forms, and a focus on light and shadow. We offer a wide selection of James McNeill Whistler art prints that showcase his most famous pieces. From "Nocturne in Black and Gold" to "Arrangement in Grey and Black," our collection includes some of the artist's most iconic works. Our high-quality prints are produced using state-of-the-art printing technology to ensure that every detail is captured with precision. Whether you're looking for a beautiful piece to adorn your home or office or seeking inspiration for your own artistic endeavors, our James McNeill Whistler art prints are sure to impress.
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What James McNeill Whistler (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James McNeill Whistler art prints that are available for purchase. You can find some of his most famous works, such as "Nocturne in Black and Gold: The Falling Rocket," "Arrangement in Grey and Black No.1 (Whistler's Mother)," and "Symphony in White, No. 2: The Little White Girl." These prints come in various sizes to fit your needs and preferences. In addition to these well-known pieces, Media Storehouse also offers other works by Whistler that showcase his unique style and artistic vision. Some examples include "Harmony in Blue-Green: The Peacock Room," "The Balcony," and "The Princess from the Land of Porcelain." Whether you're a fan of Whistler's impressionistic style or simply appreciate beautiful artwork, there is sure to be a print that catches your eye at Media Storehouse.
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How do I buy James McNeill Whistler (Artists Arts) art prints?

To buy James McNeill Whistler art prints from Media Storehouse, you can browse our extensive collection of his works on their website. Once you have found a print that you like, simply add it to your cart and proceed to checkout. You will be prompted to enter your shipping and payment information before finalizing the purchase. We offer a variety of sizes and framing options for each print, allowing you to customize your order according to your preferences. They also provide high-quality reproductions of Whistler's original artwork, ensuring that every detail is captured in stunning clarity. Whether you are looking for a classic portrait or an impressionistic landscape, we have something for everyone in their selection of James McNeill Whistler art prints. With easy online ordering and fast shipping times, it has never been easier to bring the beauty of this iconic artist into your home or office.
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How much do James McNeill Whistler (Artists Arts) art prints cost?

James McNeill Whistler was an American artist who lived in the late 19th century. His art prints are highly sought after and can be found at various prices depending on the size, quality, and rarity of the print. We offer a wide range of James McNeill Whistler's art prints that vary in price according to their individual characteristics. The cost of each print is influenced by factors such as its condition, age, and popularity among collectors. The more popular or rare a particular piece is, the higher its value will be. Additionally, larger prints tend to be more expensive than smaller ones due to their increased size and complexity. James McNeill Whistler's art prints are considered valuable pieces of artwork that can make great additions to any collection or home decor. Whether you're looking for a unique gift or simply want to add some beauty to your living space, there are many options available from Media Storehouse at varying price points.
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How will my James McNeill Whistler (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James McNeill Whistler art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes for rolled prints and protective envelopes for flat-packed prints. Once your order is processed, our team carefully prepares your print for shipping. Depending on the size of the print and your location, we may use a range of trusted courier services to deliver it directly to you. We understand how important it is to receive your artwork in pristine condition, which is why we take every precaution possible when packing and shipping your order. If you have any concerns about the delivery process or would like more information about our packaging methods, please don't hesitate to get in touch with us - we're always happy to help.