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Samuel Palmer Collection (page 2)

Samuel Palmer (1805-1881) was a British landscape painter and printmaker

201 items

Background imageSamuel Palmer Collection: The Patriarch of the Orchard, 1861 (w / c and gouache on paper)

The Patriarch of the Orchard, 1861 (w / c and gouache on paper)
PNH367421 The Patriarch of the Orchard, 1861 (w/c and gouache on paper) by Palmer, Samuel (1805-81); 19.8x44.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Background imageSamuel Palmer Collection: The Lonely Tower, 1879

The Lonely Tower, 1879
883313 The Lonely Tower, 1879 by Palmer, Samuel (1805-81); Minneapolis Institute of Arts, MN, USA; (add.info.: 7 5/8 x 10 1/16 in)

Background imageSamuel Palmer Collection: Shady Quiet (w / c on paper)

Shady Quiet (w / c on paper)
RWS137240 Shady Quiet (w/c on paper) by Palmer, Samuel (1805-81); Trustees of the Royal Watercolour Society, London, UK; eRoyal Watercolour Society; English, out of copyright

Background imageSamuel Palmer Collection: Llwyngwynedd and part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Llwyngwynedd and part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
XYC282774 Llwyngwynedd and part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, 1835-36 (w/c, gouache & graphite on paper) by Palmer

Background imageSamuel Palmer Collection: Scene at Underriver, Kent or The Hop Garden (oil & tempera on panel)

Scene at Underriver, Kent or The Hop Garden (oil & tempera on panel)
AGN252262 Scene at Underriver, Kent or The Hop Garden (oil & tempera on panel) by Palmer, Samuel (1805-81); 18x25.6 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: La Vocatella (w / c on paper)

La Vocatella (w / c on paper)
SAG186679 La Vocatella (w/c on paper) by Palmer, Samuel (1805-81); Sheffield Galleries and Museums Trust, UK; eSheffield Galleries and Museums Trust; Photo eMuseums Sheffield; English

Background imageSamuel Palmer Collection: Morning (w / c & bodycolour on board)

Morning (w / c & bodycolour on board)
CTS336391 Morning (w/c & bodycolour on board) by Palmer, Samuel (1805-81); 50.2x70 cm; eThe Devonshire Collections, Chatsworth; (add.info)

Background imageSamuel Palmer Collection: Going to the Fold, Sunset, 1879

Going to the Fold, Sunset, 1879
BAL33008 Going to the Fold, Sunset, 1879 by Palmer, Samuel (1805-81); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageSamuel Palmer Collection: Landscape with Barn, Shoreham

Landscape with Barn, Shoreham
SC17047 Landscape with Barn, Shoreham by Palmer, Samuel (1805-81); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageSamuel Palmer Collection: Yellow Twilight, c. 1830 (pen and Indian ink and wash, with watercolour and bodycolour

Yellow Twilight, c. 1830 (pen and Indian ink and wash, with watercolour and bodycolour
1217940 Yellow Twilight, c.1830 (pen and Indian ink and wash, with watercolour and bodycolour and gum arabic, on off-white paper) by Palmer, Samuel (1805-81); 16.4x27.4 cm; Ashmolean Museum

Background imageSamuel Palmer Collection: The Weary Ploughman, 1858 (etching and drypoint)

The Weary Ploughman, 1858 (etching and drypoint)
1217796 The Weary Ploughman, 1858 (etching and drypoint) by Palmer, Samuel (1805-81); 13.2x20.121.8x29.3 cm; Ashmolean Museum, University of Oxford

Background imageSamuel Palmer Collection: Study of Trees, Clovelly Park, 1834 (black chalk on pale greyish paper)

Study of Trees, Clovelly Park, 1834 (black chalk on pale greyish paper)
1217718 Study of Trees, Clovelly Park, 1834 (black chalk on pale greyish paper) by Palmer, Samuel (1805-81); 25.5x37.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageSamuel Palmer Collection: The Valley Thick with Corn, 1825 (pen and dark brown ink with brush in sepia mixed with

The Valley Thick with Corn, 1825 (pen and dark brown ink with brush in sepia mixed with
1217511 The Valley Thick with Corn, 1825 (pen and dark brown ink with brush in sepia mixed with gum arabic; varnished) by Palmer, Samuel (1805-81); 18.2x27.5 cm; Ashmolean Museum

Background imageSamuel Palmer Collection: Shepherds under a Full Moon, c. 1829-30 (pen and brown ink with brush in Indian ink

Shepherds under a Full Moon, c. 1829-30 (pen and brown ink with brush in Indian ink
1216905 Shepherds under a Full Moon, c.1829-30 (pen and brown ink with brush in Indian ink, heightened with bodycolour on white card) by Palmer, Samuel (1805-81); 11.8x13.4 cm; Ashmolean Museum

Background imageSamuel Palmer Collection: Will o the Wisp (w / c)

Will o the Wisp (w / c)
6041473 Will o the Wisp (w/c) by Palmer, Samuel (1805-81); Private Collection; (add.info.: In folklore, a will-o -the-wisp, will-o -wisp or ignis fatuus is an atmospheric ghost light seen at night)

Background imageSamuel Palmer Collection: Pastoral with a Horse Chestnut Tree, c. 1830-31 (watercolour and bodycolour)

Pastoral with a Horse Chestnut Tree, c. 1830-31 (watercolour and bodycolour)
1216876 Pastoral with a Horse Chestnut Tree, c.1830-31 (watercolour and bodycolour) by Palmer, Samuel (1805-81); 33.4x26.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageSamuel Palmer Collection: Christian Descending into the Valley of Humiliation (from The Pilgrim

Christian Descending into the Valley of Humiliation (from The Pilgrim
1216875 Christian Descending into the Valley of Humiliation (from The Pilgrims Progress ), 1848 (watercolour and bodycolour) by Palmer, Samuel (1805-81); 51.9x71.4 cm; Ashmolean Museum

Background imageSamuel Palmer Collection: The Prospect, 1864-81 (watercolour and bodycolour with gum arabic, on London board)

The Prospect, 1864-81 (watercolour and bodycolour with gum arabic, on London board)
1217939 The Prospect, 1864-81 (watercolour and bodycolour with gum arabic, on London board) by Palmer, Samuel (1805-81); 50.8x70.5 cm; Ashmolean Museum, University of Oxford

Background imageSamuel Palmer Collection: Papigno on the Nar below the Falls of the Terni, 1839 (w / c on paper)

Papigno on the Nar below the Falls of the Terni, 1839 (w / c on paper)
BOL229438 Papigno on the Nar below the Falls of the Terni, 1839 (w/c on paper) by Palmer, Samuel (1805-81); 52.7x71.8 cm; Bolton Museum and Art Gallery, Lancashire

Background imageSamuel Palmer Collection: A Pastoral Scene, 1835 (brush & sepia wash on paper)

A Pastoral Scene, 1835 (brush & sepia wash on paper)
XYC237812 A Pastoral Scene, 1835 (brush & sepia wash on paper) by Palmer, Samuel (1805-81); 9.5x11.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageSamuel Palmer Collection: La Vocatella (w / c & bodycolour on paper)

La Vocatella (w / c & bodycolour on paper)
AGN271152 La Vocatella (w/c & bodycolour on paper) by Palmer, Samuel (1805-81); 27.3x37.8 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: The Primitive Cottage, Shoreham (pen, ink and wash on paper)

The Primitive Cottage, Shoreham (pen, ink and wash on paper)
XYC291041 The Primitive Cottage, Shoreham (pen, ink and wash on paper) by Palmer, Samuel (1805-81); 27.8x37.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageSamuel Palmer Collection: The Forum, Rome, 1837 (w / c & bodycolour on paper)

The Forum, Rome, 1837 (w / c & bodycolour on paper)
BIR189281 The Forum, Rome, 1837 (w/c & bodycolour on paper) by Palmer, Samuel (1805-81); Birmingham Museums and Art Gallery; English, out of copyright

Background imageSamuel Palmer Collection: The Water-Organ, Tivoli (pencil & w / c heightened with white)

The Water-Organ, Tivoli (pencil & w / c heightened with white)
CH378325 The Water-Organ, Tivoli (pencil & w/c heightened with white) by Palmer, Samuel (1805-81); Private Collection; Photo eChristies Images; English, out of copyright

Background imageSamuel Palmer Collection: The Curfew

The Curfew
AGN48118 The Curfew by Palmer, Samuel (1805-81); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: Tintern Abbey

Tintern Abbey
SC2713 Tintern Abbey by Palmer, Samuel (1805-81); 29.3x50.3 cm cm; Victoria & Albert Museum, London, UK; English, out of copyright

Background imageSamuel Palmer Collection: In a Shoreham Garden, c. 1830 (w / c)

In a Shoreham Garden, c. 1830 (w / c)
SC2534 In a Shoreham Garden, c.1830 (w/c) by Palmer, Samuel (1805-81); 28x22 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Background imageSamuel Palmer Collection: A Cornfield, Shoreham at Twilight (pen and ink and wash on white card)

A Cornfield, Shoreham at Twilight (pen and ink and wash on white card)
AGN125681 A Cornfield, Shoreham at Twilight (pen and ink and wash on white card) by Palmer, Samuel (1805-81); 14.6x15.9 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: Otford Church (w / c on paper)

Otford Church (w / c on paper)
AGN125675 Otford Church (w/c on paper) by Palmer, Samuel (1805-81); 39.4x60 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: The Sleeping Shepherd, 1834 (tempera with oil glaze on paper, laid on panel)

The Sleeping Shepherd, 1834 (tempera with oil glaze on paper, laid on panel)
AGN125674 The Sleeping Shepherd, 1834 (tempera with oil glaze on paper, laid on panel) by Palmer, Samuel (1805-81); 38.1x51.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: A Farm in Kent, c. 1826-32 (brown and blue chalks & w / c)

A Farm in Kent, c. 1826-32 (brown and blue chalks & w / c)
FIT63153 A Farm in Kent, c.1826-32 (brown and blue chalks & w/c) by Palmer, Samuel (1805-81); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageSamuel Palmer Collection: The Magic Apple Tree (indian ink & w / c)

The Magic Apple Tree (indian ink & w / c)
FIT63102 The Magic Apple Tree (indian ink & w/c) by Palmer, Samuel (1805-81); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageSamuel Palmer Collection: The Flock and the Star (pen and brush in ink over pencil and ink)

The Flock and the Star (pen and brush in ink over pencil and ink)
AMO101423 The Flock and the Star (pen and brush in ink over pencil and ink) by Palmer, Samuel (1805-81); 15x17.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageSamuel Palmer Collection: A Farmyard at Princes Risborough, 19th century

A Farmyard at Princes Risborough, 19th century
AMO112281 A Farmyard at Princes Risborough, 19th century by Palmer, Samuel (1805-81); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: A House and Garden at Tintern, 1835 (pen & ink, w / c & bodycolour over graphite & black

A House and Garden at Tintern, 1835 (pen & ink, w / c & bodycolour over graphite & black
3112232 A House and Garden at Tintern, 1835 (pen & ink, w/c & bodycolour over graphite & black chalk on pinkish buff paper) by Palmer, Samuel (1805-81); 38x48.2 cm; Ashmolean Museum

Background imageSamuel Palmer Collection: Oxen Ploughing at Sunset (w / c on paper)

Oxen Ploughing at Sunset (w / c on paper)
NUL116568 Oxen Ploughing at Sunset (w/c on paper) by Palmer, Samuel (1805-81); 34.5x27 cm; Private Collection; English, out of copyright

Background imageSamuel Palmer Collection: A Cornfield Bordered by Trees, 19th century (oil on panel)

A Cornfield Bordered by Trees, 19th century (oil on panel)
AMO99113 A Cornfield Bordered by Trees, 19th century (oil on panel) by Palmer, Samuel (1805-81); 17x14 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: A Pastoral Scene, 19th century (oil on panel)

A Pastoral Scene, 19th century (oil on panel)
AMO99111 A Pastoral Scene, 19th century (oil on panel) by Palmer, Samuel (1805-81); 30x40 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: On Chalden Down, Dorset, c. 1834-35 (oil on canvas)

On Chalden Down, Dorset, c. 1834-35 (oil on canvas)
FIT278745 On Chalden Down, Dorset, c.1834-35 (oil on canvas) by Palmer, Samuel (1805-81); 26.1x38.1 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageSamuel Palmer Collection: Studies of rabbits with superimposed portraits of William Blake and Henry Fuseli

Studies of rabbits with superimposed portraits of William Blake and Henry Fuseli
FIT282891 Studies of rabbits with superimposed portraits of William Blake and Henry Fuseli (graphite & ink on paper) by Palmer, Samuel (1805-81) & Richmond

Background imageSamuel Palmer Collection: Harvesting (w / c & bodycolour on paper)

Harvesting (w / c & bodycolour on paper)
AGN252263 Harvesting (w/c & bodycolour on paper) by Palmer, Samuel (1805-81); 38.5x51 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: Tityrus Restored to his Patrimony, 1877 (w / c and gouache over pencil on paper)

Tityrus Restored to his Patrimony, 1877 (w / c and gouache over pencil on paper)
BIR108330 Tityrus Restored to his Patrimony, 1877 (w/c and gouache over pencil on paper) by Palmer, Samuel (1805-81); Birmingham Museums and Art Gallery; English, out of copyright

Background imageSamuel Palmer Collection: A View of Modern Rome During the Carnival, 1838 (w / c and gouache over pencil on paper)

A View of Modern Rome During the Carnival, 1838 (w / c and gouache over pencil on paper)
BIR108325 A View of Modern Rome During the Carnival, 1838 (w/c and gouache over pencil on paper) by Palmer, Samuel (1805-81); 40.9x57.8 cm; Birmingham Museums and Art Gallery; English

Background imageSamuel Palmer Collection: The Skirts of a Wood, 1825 (pen and brush in sepia)

The Skirts of a Wood, 1825 (pen and brush in sepia)
AMO101425 The Skirts of a Wood, 1825 (pen and brush in sepia) by Palmer, Samuel (1805-81); 17.4x27.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: The Colosseum and Alban Mount (w / c and gouache over pencil, chalk and ink)

The Colosseum and Alban Mount (w / c and gouache over pencil, chalk and ink)
AMO101422 The Colosseum and Alban Mount (w/c and gouache over pencil, chalk and ink) by Palmer, Samuel (1805-81); 20.3x39.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageSamuel Palmer Collection: A Rustic Scene, 1823 (pen and brush in sepia)

A Rustic Scene, 1823 (pen and brush in sepia)
AMO101421 A Rustic Scene, 1823 (pen and brush in sepia) by Palmer, Samuel (1805-81); 17.9x23.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: Enchanted Castle (w / c and gouache on paper)

Enchanted Castle (w / c and gouache on paper)
AGN125678 Enchanted Castle (w/c and gouache on paper) by Palmer, Samuel (1805-81); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: Opening the Fold, Early Morning, 1880 (etching) (b / w photo)

Opening the Fold, Early Morning, 1880 (etching) (b / w photo)
FFA148651 Opening the Fold, Early Morning, 1880 (etching) (b/w photo) by Palmer, Samuel (1805-81); 16.3x23 cm; Private Collection; English, out of copyright



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Samuel Palmer Collection

Samuel Palmer (1805-1881) was a British landscape painter and printmaker. He is best known for his romanticized, idealized landscapes of the English countryside. His works were inspired by the writings of William Blake and John Milton, as well as his own personal experiences in nature. He often used a limited palette of blues, greens, and yellows to create a dreamlike atmosphere in his paintings. Palmer's work has been described as "visionary" due to its spiritual quality and its ability to evoke emotion in viewers. His influence on later generations of artists was significant; he is considered one of the most important figures in 19th century British art.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The Samuel Palmer collection from Media Storehouse is a stunning range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards that showcase the works of one of Britain's most celebrated artists. Samuel Palmer was known for his unique style that blended traditional landscape painting with mystical and visionary elements. His work often featured idyllic rural scenes bathed in an otherworldly light. Our collection features some of Palmer's most famous pieces such as "The Valley Thick With Corn" and "In A Shoreham Garden". The artwork has been carefully reproduced using high-quality printing techniques to ensure that every detail is captured perfectly. Whether you are looking for a statement piece to hang on your living room wall or a beautiful gift for someone special, the Samuel Palmer collection offers something for everyone. With its timeless beauty and ethereal quality, our collection is sure to be treasured by art lovers everywhere.
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What are Samuel Palmer (Artists Arts) art prints?

Samuel Palmer was an English landscape painter, etcher and printmaker who lived from 1805 to 1881. His art prints are highly sought after for their romantic depictions of the British countryside during the Victorian era. Palmer's style is characterized by his use of bold contrasts between light and dark, which creates a sense of drama in his landscapes. We offer a wide range of Samuel Palmer art prints that capture the essence of his work. These prints are available in various sizes and formats, including framed or unframed options. They are printed on high-quality paper using state-of-the-art printing technology to ensure that they retain their vibrancy and detail for years to come. Whether you're looking for a striking centerpiece for your living room or a unique gift for someone special, Samuel Palmer art prints from Media Storehouse offer something truly special. With their timeless beauty and enduring appeal, these prints are sure to be treasured by anyone who appreciates fine art.
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What Samuel Palmer (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of Samuel Palmer art prints that are available for purchase. These include some of his most notable works, such as "The Valley Thick with Corn," "The Willow Tree," and "In a Shoreham Garden." Each print is carefully reproduced to capture the intricate details and textures found in Palmer's original pieces. Palmer was known for his unique style that blended elements of Romanticism and Realism. His landscapes often featured idyllic scenes of rural life, with an emphasis on natural beauty and simplicity. Many of his works also incorporated religious themes, reflecting his deep spiritual beliefs. Whether you're a fan of Palmer's work or simply appreciate beautiful art prints, we have something to offer. With a variety of sizes and framing options available, it's easy to find the perfect piece to suit your taste and decor.
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How do I buy Samuel Palmer (Artists Arts) art prints?

To purchase Samuel Palmer art prints from Media Storehouse, you can browse our collection of his works online. Once you have found a print that you would like to buy, simply add it to your cart and proceed to checkout. You will be prompted to enter your shipping and payment information before finalizing the purchase. We offer a wide variety of printing options for each artwork, including different sizes and paper types. We also offer framing services if desired. Samuel Palmer was an English landscape painter who lived in the 19th century. His work is known for its romanticism and mysticism, often depicting rural scenes with a dreamlike quality. Owning one of his prints is a great way to bring this unique style into your home or office space.
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How much do Samuel Palmer (Artists Arts) art prints cost?

As a language model AI, I do not have personal opinions or preferences. However, to answer the question, we offer a wide selection of Samuel Palmer art prints at varying prices depending on the size and type of print chosen. You can choose from different sizes ranging from small to large prints that are suitable for framing and display in homes or offices. The cost of Samuel Palmer's art prints may also depend on factors such as the rarity and popularity of the artwork. Some pieces may be more expensive than others due to their historical significance or artistic value. We provide customers with high-quality reproductions of Samuel Palmer's original artworks using advanced printing techniques that ensure accurate color reproduction and sharp details. The company is committed to providing its customers with affordable yet top-notch quality products that meet their needs and exceed their expectations.
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How will my Samuel Palmer (Artists Arts) art prints be delivered to me?

Your Samuel Palmer art prints will be delivered to you securely and safely by Media Storehouse. We take great care in packaging your artwork so that it arrives at your doorstep in pristine condition. Our team uses high-quality materials to ensure that the prints are protected during transit. Once you have placed your order, we will process it promptly and dispatch the artwork as soon as possible. You can expect to receive a notification from us once your package has been shipped, along with tracking information so that you can keep an eye on its progress. We work with trusted delivery partners who specialize in handling delicate items such as art prints, ensuring that they arrive at their destination without any damage or mishaps. Whether you're ordering a single print or multiple pieces of artwork, we'll make sure they get to you quickly and efficiently.