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Jacques Callot Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 466 pictures in our Jacques Callot collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Battaglia del re Tessi del Tinta festa rapresentata Featured Jacques Callot Print

Battaglia del re Tessi del Tinta festa rapresentata

Battaglia del re Tessi e del re Tinta festa rapresentata in Firenze nel fiume dArno il di XXV di luglio. 1.6.1.9. Italian theater prints, Collignon, Francois, 1609?-1657, Etching, black-and-white, Copy of Jacques Callot's etching L'eventail depicting the mock naval battle between the weavers and dyers held on the Arno river in Florence on the evening of July 25, 1619. Trimmed in a fan-like shape and glued to a mount. Copy of the type 3 (cf. Lieure)

© Copyright Liszt Collection

Vanitas Still Life, 1641 (oil on canvas) Featured Jacques Callot Print

Vanitas Still Life, 1641 (oil on canvas)

XIR167801 Vanitas Still Life, 1641 (oil on canvas) by Stoskopff, Sebastian (1596/99-1657); 125x165 cm; Musee des Beaux-Arts, Strasbourg, France; (add.info.: allegorie de la Vanite et de la Mort; five pieces of metalwork by Nicolas Riedinger; print by Jacques Callot (1592-1635) of Scapin;); French, out of copyright

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A dream caused by the perusal of Mrs. H. Beecher Stowe's pop Featured Jacques Callot Print

A dream caused by the perusal of Mrs. H. Beecher Stowe's pop

A dream caused by the perusal of Mrs. H. Beecher Stowe's popular work Uncle Tom's Cabin. An imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel Uncle Tom's Cabin. Printed serially beginning in June 1851, the novel first appeared in book form in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot. (Murrell points out, in fact, that the plate borrows its central motif--an enormous flying demon--from Callot's Temptation of St. Anthony.) In the center a leering black man dressed as a Quaker holds a flag Women of England To The Rescue. To the left, near the mouth of a cave marked Underground Railway, Mrs. Stowe is pulled and harassed by demons. She holds up a book that reads, Uncle Tom's Cabin, I Love the Blacks. Another woman (or perhaps Mrs. Stowe again) rides in a parade of demons on the right. In the distance, several monsters feed copies of Uncle Tom's Cabin to a blazing fire. Date c1853. A dream caused by the perusal of Mrs. H. Beecher Stowe's popular work Uncle Tom's Cabin. An imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel Uncle Tom's Cabin. Printed serially beginning in June 1851, the novel first appeared in book form in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot. (Murrell points out, in fact, that the plate borrows its central motif--an enormous flying demon--from Callot's Temptation of St. Anthony.) In the center a leering black man dressed as a Quaker holds a flag Women of England To The Rescue. To the left, near the mouth of a cave marked Underground Railway, Mrs. Stowe is pulled and harassed by demons. She holds up a book that reads

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10600972