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Luigi Ademollo Collection (page 2)

Luigi Ademollo (1764-1849) was an Italian painter of the Neoclassical period

88 items

Background imageLuigi Ademollo Collection: Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII

Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII
STC415880 Hercules and Cerberus or Cerbero Incatenato da Ercole, Book VII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid

Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid
STC415873 Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovids Metamorphoses

Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovids Metamorphoses
STC415868 Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Arachne into a Spider or Aranne Trasformata in Ragno, Book VI

Arachne into a Spider or Aranne Trasformata in Ragno, Book VI
STC415859 Arachne into a Spider or Aranne Trasformata in Ragno, Book VI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Mercury puts Argus to Sleep or Mercurio Addormenta Argo

Mercury puts Argus to Sleep or Mercurio Addormenta Argo
STC415818 Mercury puts Argus to Sleep or Mercurio Addormenta Argo, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses

Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses
STC415817 Syrinx into a Reed or Pane e Siringa, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovids Metamorphoses

Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovids Metamorphoses
STC415809 Pyrrha and Deucalion or Deucalione e Pirra, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovids Metamorphoses

Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovids Metamorphoses
STC415875 Ceyx and Alcyone or Ceice e Alcione, Book XI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V

Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V
STC415858 Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Pentheus Persecutes Bacchus Disciples or Penteo Trattiene I suoi da Seguire Bacco

Pentheus Persecutes Bacchus Disciples or Penteo Trattiene I suoi da Seguire Bacco
STC415844 Pentheus Persecutes Bacchus Disciples or Penteo Trattiene I suoi da Seguire Bacco, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Bacchus Rites or Triumph or Trionfo di Bacco, Book III

Bacchus Rites or Triumph or Trionfo di Bacco, Book III
STC415843 Bacchus Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Soldiers spring from the Serpents teeth or Cadmo getta I denti del serpente e

Soldiers spring from the Serpents teeth or Cadmo getta I denti del serpente e
STC415836 Soldiers spring from the Serpents teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III

Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III
STC415834 Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Europa or Europa Rapita da Giove, illustration from Ovids Metamorphoses, Florence

Europa or Europa Rapita da Giove, illustration from Ovids Metamorphoses, Florence
STC415833 Europa or Europa Rapita da Giove, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Background imageLuigi Ademollo Collection: Callisto is turned into a Bear or Calisto Scacciata da Diana

Callisto is turned into a Bear or Calisto Scacciata da Diana
STC415824 Callisto is turned into a Bear or Calisto Scacciata da Diana, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi

Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi
STC415823 Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid

Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid
STC415892 Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovid

Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovid
STC415837 Actaeon into a Stag or Ateone Cangiato in Cervo, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II

The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II
STC415819 The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Phoebus and Daphne or Apollo e Dafne, illustration from Ovids Metamorphoses

Phoebus and Daphne or Apollo e Dafne, illustration from Ovids Metamorphoses
STC415813 Phoebus and Daphne or Apollo e Dafne, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Background imageLuigi Ademollo Collection: Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid

Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid
STC415888 Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Erysichthons Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII

Erysichthons Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII
STC415887 Erysichthons Pride or Eresictone Taglia una Querce sacra a Cerere, Book VIII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid

Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovid
STC415884 Bacchus and Ariadne or Bacco e Arianna, Book VIII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovid

Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovid
STC415883 Theseus and Ariadne or Terro e Arianna, Book VIII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Jason puts the Dragon to sleep or Gianone Conquista il Vello d Oro, Book VII

Jason puts the Dragon to sleep or Gianone Conquista il Vello d Oro, Book VII
STC415878 Jason puts the Dragon to sleep or Gianone Conquista il Vello d Oro, Book VII, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Hercules saves Hesione or Ercole che Libera Enione, Book XI

Hercules saves Hesione or Ercole che Libera Enione, Book XI
STC415874 Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovid

Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovid
STC415871 Atalanta and Hippomenes or Atalanta e Ippomene, Book X, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Atlas into a Mountain or Atlante Cangiato in Monte, Book IV

Atlas into a Mountain or Atlante Cangiato in Monte, Book IV
STC415852 Atlas into a Mountain or Atlante Cangiato in Monte, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV

Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV
STC415848 Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III

Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III
STC415840 Tiresias Prophesies or Tirenia predice a Narciso la sua sorte, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Semele is Thunderstruck or Nascita de Bacco, illustration from Ovids Metamorphoses

Semele is Thunderstruck or Nascita de Bacco, illustration from Ovids Metamorphoses
STC415839 Semele is Thunderstruck or Nascita de Bacco, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Erichthonius with Dragons Feet or Erittonio data in Guardia alle Figlie de Cecrope

Erichthonius with Dragons Feet or Erittonio data in Guardia alle Figlie de Cecrope
STC415825 Erichthonius with Dragons Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid

Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid
STC415816 Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: Restoration of the Human Race or Riproduzione del Genere Umano, Book I

Restoration of the Human Race or Riproduzione del Genere Umano, Book I
STC415811 Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: The Flood or Diluvio, Book I, illustration from Ovids Metamorphoses, Florence

The Flood or Diluvio, Book I, illustration from Ovids Metamorphoses, Florence
STC415808 The Flood or Diluvio, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo, Luigi (1764-1849); Private Collection; (add.info.: P)

Background imageLuigi Ademollo Collection: War of the Giants against Jove or I Giganti Fulminati da Giove, Book I

War of the Giants against Jove or I Giganti Fulminati da Giove, Book I
STC415805 War of the Giants against Jove or I Giganti Fulminati da Giove, Book I, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Background imageLuigi Ademollo Collection: The Body of Hadrian Lying in State next to His Mausoleum, late 18th-early 19th century

The Body of Hadrian Lying in State next to His Mausoleum, late 18th-early 19th century

Background imageLuigi Ademollo Collection: The Ashes of Trajan Carried in a Triumphal Procession. Creator: Luigi Ademollo

The Ashes of Trajan Carried in a Triumphal Procession. Creator: Luigi Ademollo
The Ashes of Trajan Carried in a Triumphal Procession

Background imageLuigi Ademollo Collection: The Sack of the Temple at Jerusalem, c. 1838. Creator: Luigi Ademollo

The Sack of the Temple at Jerusalem, c. 1838. Creator: Luigi Ademollo
The Sack of the Temple at Jerusalem, c. 1838

Background imageLuigi Ademollo Collection: An Antique Sacrifice, 1820s. Creator: Luigi Ademollo

An Antique Sacrifice, 1820s. Creator: Luigi Ademollo
An Antique Sacrifice, 1820s



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Luigi Ademollo Collection

Luigi Ademollo (1764-1849) was an Italian painter of the Neoclassical period. He was born in Milan and studied at the Brera Academy under Giocondo Albertolli and Francesco Hayez. His early works were mainly religious paintings, but he soon turned to historical subjects, including scenes from the French Revolution. He also painted portraits of prominent figures such as Napoleon Bonaparte, Pope Pius VII, and King Victor Emmanuel I of Sardinia. Ademollo's style is characterized by a clear composition, precise drawing, and a delicate use of color. He was highly regarded in his day for his ability to capture emotion in his paintings, which often featured vivid colors and dynamic compositions. His work is still admired today for its technical skill and emotional depth.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The Luigi Ademollo collection is a stunning selection of artwork available through Media Storehouse. Our collection features a range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards that showcase the incredible talent of Italian artist Luigi Ademollo. Born in 1764 in Milan, Ademollo was known for his exceptional skill as an illustrator and painter during the late 18th century. His work often depicted historical scenes or classical mythology with great attention to detail and accuracy. Media Storehouse has carefully curated our collection to offer customers high-quality reproductions of some of Ademollo's most famous works. From dramatic battle scenes to serene landscapes and portraits, there is something for everyone in this impressive collection. Whether you are looking for a statement piece for your home or office or a unique gift for someone special, the Luigi Ademollo collection from Media Storehouse is sure to impress with its timeless beauty and artistic mastery.
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What are Luigi Ademollo (Artists Arts) art prints?

Luigi Ademollo was an Italian artist who lived during the 18th and 19th centuries. He is known for his exquisite paintings, which are characterized by their attention to detail and use of vibrant colors. His works often depict historical scenes or mythological figures, and he was particularly skilled at capturing the human form. We offer a range of Luigi Ademollo art prints that showcase his talent as an artist. These prints have been carefully reproduced from original artworks using high-quality printing techniques to ensure that every detail is captured accurately. Whether you're looking for a stunning centerpiece for your living room or a unique gift for someone special, our collection of Luigi Ademollo art prints has something to suit every taste and budget. So why not browse our selection today and discover the beauty of this talented artist's work?
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We offer a wide range of Luigi Ademollo art prints for purchase. You can choose from an extensive collection of his iconic works, including historical and mythological scenes, landscapes, portraits, and still life paintings. Some popular pieces include "The Death of Cato the Younger," "The Triumph of Bacchus," and "Portrait of Napoleon Bonaparte." All the Luigi Ademollo art prints available at Media Storehouse are printed on high-quality paper using state-of-the-art printing technology to ensure that they capture every detail and color accurately. Whether you're looking to decorate your home or office space with classic Italian artwork or add some vintage charm to your collection, we have got you covered. With so many options available in different sizes and formats, you'll be sure to find something that suits your taste and style preferences. So why wait? Browse through our selection today and bring home a piece of timeless beauty by Luigi Ademollo.
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To purchase Luigi Ademollo art prints from Media Storehouse, you can browse our extensive collection of his works on their website. Once you have found a print that you like, simply add it to your cart and proceed to checkout. You will be prompted to enter your shipping information and payment details. We offer a range of sizes and framing options for each print, so be sure to select the one that best suits your needs. We also offer a variety of paper types, including fine art paper and canvas. If you have any questions or concerns about purchasing Luigi Ademollo art prints from Media Storehouse, our customer service team is available to assist you. They can provide additional information about the artist or help guide you through the ordering process. Buying Luigi Ademollo art prints from Media Storehouse is a simple and straightforward process that allows you to bring beautiful artwork into your home or office with ease.
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How will my Luigi Ademollo (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your Luigi Ademollo art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes for rolled prints and flat boxes with protective layers for framed or mounted prints. All of our deliveries are made through trusted courier services, who will handle your package with the utmost care. You can track the progress of your delivery online using the tracking number provided once your order has been dispatched. We understand how important it is to receive your artwork in pristine condition, which is why we take every precaution possible to ensure this happens. If you have any concerns about the delivery of your Luigi Ademollo art print, please do not hesitate to contact us and we will be happy to assist you further.