Images Dated 13th November 2012
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New images january/gold kinabalu orchid rotschilds slipper orchid
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Cader Idris, with the Mawddach River, c.1774 (oil on canvas)
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Boats, Constantinople, (Istanbul) Turkey
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Waterfront, Constantinople, (Istanbul) Turkey
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Iceland, Jokulsarlon. Aurora lights reflect in lagoon
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View of the blue city of Jodhpur from Mehrangarh Fort, Jodhpur, Rajasthan, India
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Cader Idris, with the Mawddach River, c.1774 (oil on canvas)
500125 Cader Idris, with the Mawddach River, c.1774 (oil on canvas)
by Wilson, Richard (1713/14-82); 105.5x120.5 (framed) 89.8x105.5 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: In the distance the peak of Cader Idris is shown, while riders in the foreground descend toward the river Mawddach. Although almost all of Wilson's earlier pictures of Wales suggest some association with that country's heroic past, here the emphasis is on the pleasing beauty of the land. Another version of this picture is in the Walker Art Gallery in Liverpool.
Richard Wilson was the first major British artist to specialize in landscape, a focus he pursued intently after a visit to Italy in 1750-6. The countryside around Rome, with its rich associations of ancient grandeur, inspired him to look at landscape as a source of poetry. Back in England his Italian landscapes, which appealed to his patrons (mostly English noblemen) were a great success. He then applied a similar approach to his English and Welsh scenes, treating them as vehicles for ideas and emotions.
); Leonard C. Hanna, Jr. Fund
© Leonard C. Hanna, Jr. Fund / Bridgeman Images

Sunlight streams through the gate, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Phul Mahal, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Ornate interior dome decoration, Jain Temple, Ranakpur, Rajasthan, India
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Mural painted on the wall, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Intricately carved walls allow women in purdah to look out, Mehrangarh Fort, Jodhpur
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Detail of a wooden door, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Cows in the market, Sardar Market, Jodhpur, Rajasthan, India
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Blue city of Brahmpur as seen from Mehrangarh Fort, Jodhpur, Rajasthan, India
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Arched doorways, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Archway, Mehrangarh Fort, Jodhpur, Rajasthan, India
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Intricately carved walls allow women in purdah to look out, Mehrangarh Fort, Jodhpur
Intricately carved walls allow women in purdah to look out, Mehrangarh Fort, Jodhpur, Rajasthan, India
© Inger Hogstrom / DanitaDelimont.com
Arch, Carving, Detailed, India, Inger Hogstrom, Intricate, Jaswant Singh, Jodhpur, Mehrangarh Fort, Mewar, Palace, Rajasthan, Sandstone, Screen, Stone, Window

View of the Gulf of Pozzuoli from Solfatara, 1803 (oil on fabric)
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Trees on a Rocky Hillside, c.1849 (oil on canvas)
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Icon of the Virgin & Child, 500s (slit-and dovetailed-tapestry weave, wool)
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Portrait of King Charles II of England, 1653 (oil on canvas)
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The Immaculate Conception, c.1680 (oil on canvas)
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Marie-Yolande de Fitz-James, 1867 (oil on fabric)
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Flowers in a Glass, 1606 (oil on copper)
499514 Flowers in a Glass, 1606 (oil on copper)
by Bosschaert, Ambrosius the Elder (1573-1621); 60.30x52.80 (framed) 35.60x29.30 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: One of the first artists to specialize in flower painting, Bosschaert depicted flowers with a fine technique that seems almost devoid of individual brushstrokes. His precision is also a result of the painting's copper support. When applied to the white ground typically used to coat a copper plate, oil paint takes on an enamel-like quality.
Placed in a simple studded glass, the principal flowers of this bouquet are tulips, each carefully silhouetted so that their individual features could be portrayed. The anchor of this carefully arranged composition is the spider lily (hymenocallis) in the lower center, accompanied by two yellow crocuses. Butterflies, other insects, and snails enliven this still life. Bosschaert worked in the town of Middelburg, where he had access to several botanical gardens and scientific collections of natural specimens. He was also an art dealer, who traded with Antwerp, Frankfurt, London, and Ireland.
); Gift of Carrie Moss Halle in memory of Salmon Portland Halle; Flemish, out of copyright
© Gift of Carrie Moss Halle in memory of Salmon Portland Halle / Bridgeman Images

Adoration of the Shepherds, c.1650 (oil on canvas)
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Portrait of the Jester Calabazas, c.1631-1632 (oil on canvas)
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Brasher Doubloon, New York, 1787 (gold) (also see 343637)
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David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest
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An Aqueduct Near a Fortress, 1807 (oil on fabric)
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Rocky, Wooded Landscape with a Dell and Weir, c.1782-83 (oil on canvas)
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The Biglin Brothers Turning the Stake, 1873 (oil on canvas)
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