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Images Dated 22nd October 2009 (page 2)

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Background imageImages Dated 22nd October 2009: Study of hands, black pencil drawing on lightly golden paper by Leonardo da Vinci

Study of hands, black pencil drawing on lightly golden paper by Leonardo da Vinci, preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of St. Sebastian, pen drawing on red paper by Leonardo da Vinci

Study of St. Sebastian, pen drawing on red paper by Leonardo da Vinci and preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageImages Dated 22nd October 2009: Study of mountains, red pencil drawing on white paper by Leonardo da Vinci

Study of mountains, red pencil drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Portrait of an elderly person, by Leonardo da Vinci, pen drawing on white paper

Portrait of an elderly person, by Leonardo da Vinci, pen drawing on white paper. The work is preserved in the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Rear study of a male nude, sanguine drawing on white paper by Leonardo da Vinci

Rear study of a male nude, sanguine drawing on white paper by Leonardo da Vinci. The work is preserved in the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of the proportions of the human body, pen drawing on paper turned yellow by Leonardo da Vinci

Study of the proportions of the human body, pen drawing on paper turned yellow by Leonardo da Vinci, preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Frontal study of a male nude with open arms and legs, sanguine drawing on red paper by Leonardo da

Frontal study of a male nude with open arms and legs, sanguine drawing on red paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of a male nude, sanguine drawing on red paper by Leonardo da Vinci

Study of a male nude, sanguine drawing on red paper by Leonardo da Vinci and preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageImages Dated 22nd October 2009: Study of the head of a man with the outline of its proportions; pen drawing on paper turned yellow

Study of the head of a man with the outline of its proportions; pen drawing on paper turned yellow, preserved at the Gallery of the Academy, Venice

Background imageImages Dated 22nd October 2009: Study of the proportions of a human face, pencil drawing on white paper by Leonardo da Vinci

Study of the proportions of a human face, pencil drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Anatomical study of the face, pen drawing on white paper by Leonardo da Vinci

Anatomical study of the face, pen drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of the head of a man with the proportions of the face, silver point

Study of the head of a man with the proportions of the face, silver point and pen drawing on light blue paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of legs, by Leonardo da Vinci, silver point and pen drawing on white paper

Study of legs, by Leonardo da Vinci, silver point and pen drawing on white paper. The work is preserved in the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of the proportions of the human body and inscriptions, pen drawing on white paper by

Study of the proportions of the human body and inscriptions, pen drawing on white paper by Leonardo da Vinci, preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Cats, lions and dragons, pen drawing on white paper turned yellow by Leonardo da Vinci

Cats, lions and dragons, pen drawing on white paper turned yellow by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of a horses with knights for the Trivulzio Monument; pencil drawing on white paper by

Study of a horses with knights for the Trivulzio Monument; pencil drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Plowing, sanguine drawing on white paper by Leonardo da Vinci

Plowing, sanguine drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageImages Dated 22nd October 2009: Study of storm, pen drawing by Leonardo da Vinci on gray paper

Study of storm, pen drawing by Leonardo da Vinci on gray paper, preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageImages Dated 22nd October 2009: Draft of a horse, female face with helmet, drawing by Leonardo da Vinci, pen on white paper

Draft of a horse, female face with helmet, drawing by Leonardo da Vinci, pen on white paper, preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of a nude and some inscriptions, pen drawing on white paper by Leonardo da Vinci

Study of a nude and some inscriptions, pen drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: The arm of the Virgin for the composition of St. Anne with the Madonna and Child

The arm of the Virgin for the composition of St. Anne with the Madonna and Child, drawing by Leonardo Da Vinci, pencil on red paper, preserved in the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of the face of St. Anne, charcoal drawing on white paper by Leonardo da Vinci

Study of the face of St. Anne, charcoal drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Background imageImages Dated 22nd October 2009: Study of a male head and draft of female figures with children

Study of a male head and draft of female figures with children, pen drawing on white paper by Leonardo da Vinci preserved in the British Museum of London

Background imageImages Dated 22nd October 2009: A mechanism for activating wings, drawing by Leonardo da Vinci, part of the Codex B (2173), c.90r

A mechanism for activating wings, drawing by Leonardo da Vinci, part of the Codex B (2173), c.90r, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: A mechanism for activation a bellows, drawing by Leonardo da Vinci, part of the Codex B (2173)

A mechanism for activation a bellows, drawing by Leonardo da Vinci, part of the Codex B (2173), c.82r, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: A webbed glove to be used as a life-saving device during a storm, drawing by Leonardo da Vinci

A webbed glove to be used as a life-saving device during a storm, drawing by Leonardo da Vinci, part of the Codex B (2173), c.81v, housed at the Institut de France, Paris Drawing High Renaissance

Background imageImages Dated 22nd October 2009: Wing mechanism, set in motion by the human body, drawing by Leonardo da Vinci

Wing mechanism, set in motion by the human body, drawing by Leonardo da Vinci, part of the Codex B (2173), c.80r, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Wing mechanism, put in motion by the human body, drawing by Leonardo da Vinci

Wing mechanism, put in motion by the human body, drawing by Leonardo da Vinci, part of the Codex B (2173), c.79r, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Wooden boat, activated by paddle wheel, drawing by Leonardo da Vinci, part of the Codex B (2173)

Wooden boat, activated by paddle wheel, drawing by Leonardo da Vinci, part of the Codex B (2173), c.76v, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Scorpions for reinforcing bombards and ships, drawing by Leonardo da Vinci

Scorpions for reinforcing bombards and ships, drawing by Leonardo da Vinci, part of the Codex B (2173), c.76r, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Instruments for destroying ramparts, drawing by Leonardo da Vinci, part of the Codex B (2173), c.75v

Instruments for destroying ramparts, drawing by Leonardo da Vinci, part of the Codex B (2173), c.75v, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Wing structure support, drawing by Leonardo da Vinci, part of the Codex B (2173), c.74v

Wing structure support, drawing by Leonardo da Vinci, part of the Codex B (2173), c.74v, housed at the Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Project for gearing; writing of Leonardo da Vinci. Codex B (2173), c.72r. Institut de France, Paris

Project for gearing; writing of Leonardo da Vinci. Codex B (2173), c.72r. Institut de France, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageImages Dated 22nd October 2009: Project for a war machine; writing of Leonardo da Vinci. Codex B (2173), c.70v

Project for a war machine; writing of Leonardo da Vinci. Codex B (2173), c.70v. Institut de France, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageImages Dated 22nd October 2009: Suggestions on how to construct a bastion at night; writing of Leonardo da Vinci

Suggestions on how to construct a bastion at night; writing of Leonardo da Vinci. Codex B (2173), c.70r. Institut de France Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Project for weapons to be installed on a ship; writing of Leonardo da Vinci

Project for weapons to be installed on a ship; writing of Leonardo da Vinci. Codex B (2173), c.69v. Institut de France Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageImages Dated 22nd October 2009: Project for a military blockhouse; writing of Leonardo da Vinci. Codex B (2173), c.69r

Project for a military blockhouse; writing of Leonardo da Vinci. Codex B (2173), c.69r. Institut de France Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageImages Dated 22nd October 2009: Study for the contruction of windows; written by Leonardo da Vinci

Study for the contruction of windows; written by Leonardo da Vinci. Codex B (2173), c.68r, Institut de France, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageImages Dated 22nd October 2009: Study for measuring the distance between two planes; written by Leonardo da Vinci

Study for measuring the distance between two planes; written by Leonardo da Vinci. Codex B(2173), c.65v, Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Study of hydraulics for military purposes: written by Leonardo da Vinci

Study of hydraulics for military purposes: written by Leonardo da Vinci. Codex B (2173), c.64r, Institut de France, Paris Drawing High Renaissance, Renaissance

Background imageImages Dated 22nd October 2009: Study of German military tactics; written by Leonardo da vinci. Codice B (2173), c.63v

Study of German military tactics; written by Leonardo da vinci. Codice B (2173), c.63v. Institut de France, Paris Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageImages Dated 22nd October 2009: Study of Assyrian ship and instructions for building a rope bridge; work of Leonardo da Vinci

Study of Assyrian ship and instructions for building a rope bridge; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.62v. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Plan for a ditch; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.60r

Plan for a ditch; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.60r. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Study of gearing and military defenses; work of Leonardo da Vinci belonging to the Manuscript B

Study of gearing and military defenses; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.58v. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Study of building with a central plan; work of Leonardo da Vinci belonging to the Code B (2173)

Study of building with a central plan; work of Leonardo da Vinci belonging to the Code B (2173), c.56v. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Study of defensive arms; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.52v

Study of defensive arms; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.52v. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Study of churches; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.52r

Study of churches; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.52r. preserved at the Institute of France in Paris

Background imageImages Dated 22nd October 2009: Study of a ship mortar; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.49v

Study of a ship mortar; work of Leonardo da Vinci belonging to the Manuscript B (2173), c.49v. preserved at the Institute of France in Paris



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