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Images Dated 22nd September 2007 (page 4)

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Background imageImages Dated 22nd September 2007: La Morgue, c1841-1868 (1924). Artist: Charles Meryon

La Morgue, c1841-1868 (1924). Artist: Charles Meryon
La Morgue, c1841-1868 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Galerie Notre-Dame, c1841-1868 (1924). Artist: Charles Meryon

La Galerie Notre-Dame, c1841-1868 (1924). Artist: Charles Meryon
La Galerie Notre-Dame, c1841-1868 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Le Stryge, c1841-1868 (1924). Artist: Charles Meryon

Le Stryge, c1841-1868 (1924). Artist: Charles Meryon
Le Stryge, c1841-1868 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Chaumiere, c1825-1885 (1924). Artist: Eugene Blery

La Chaumiere, c1825-1885 (1924). Artist: Eugene Blery
La Chaumiere, c1825-1885 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Les Chenes de Roche, c1832- 1860, (1924). Artist: Theodore Rousseau

Les Chenes de Roche, c1832- 1860, (1924). Artist: Theodore Rousseau
Les Chenes de Roche, c1832- 1860, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Bouillie, 1861 (1924). Artist: Jean Francois Millet

La Bouillie, 1861 (1924). Artist: Jean Francois Millet
La Bouillie, c1861 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: The Wool Carder, c1835-1875 (1924). Artist: Jean Francois Millet

The Wool Carder, c1835-1875 (1924). Artist: Jean Francois Millet
The Wool Carder, c1835-1875 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Diggers, c1835-1875 (1924). Artist: Jean Francois Millet

Diggers, c1835-1875 (1924). Artist: Jean Francois Millet
Diggers, c1835-1875 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Environs de Rome, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot

Environs de Rome, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot
Environs de Rome, c1815-1865, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Souvenir d Italie, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot

Souvenir d Italie, c1815-1865, (1924). Artist: Jean-Baptiste-Camille Corot
Souvenir d Italie, c1815-1865, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Clair de Lune a Valmondois, 1840-1875 (1924). Artist: Charles Francois Daubigny

Clair de Lune a Valmondois, 1840-1875 (1924). Artist: Charles Francois Daubigny
Clair de Lune a Valmondois, 1840-1875 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Arbre a Corbeaux, 1840-1875, (1924). Artist: Charles Francois Daubigny

Arbre a Corbeaux, 1840-1875, (1924). Artist: Charles Francois Daubigny
Arbre a Corbeaux, 1840-1875, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Bergerie, (The Shepherd), 1825-1890 (1924). Artist: Charles Emile Jacque

La Bergerie, (The Shepherd), 1825-1890 (1924). Artist: Charles Emile Jacque
La Bergerie, (The Shepherd) 1825-1890 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Saulaie des Environs de Paris, c1820-1870, (1924). Artist: Paul Huet

Saulaie des Environs de Paris, c1820-1870, (1924). Artist: Paul Huet
Saulaie des Environs de Paris, c1820-1870, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Cavalier Francais, c1820-1860, (1924). Artist: Eugene Delacroix

Cavalier Francais, c1820-1860, (1924). Artist: Eugene Delacroix
Cavalier Francais, c1820-1860, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Les Traitants, c1750-1800, (1924)Artist: Jean-Honore Fragonard

Les Traitants, c1750-1800, (1924)Artist: Jean-Honore Fragonard
Les Traitants, c1750-1800, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Les Graces au Tombeau de Watteau, c1720-1770 (1924) Artist: Francois Boucher

Les Graces au Tombeau de Watteau, c1720-1770 (1924) Artist: Francois Boucher
Les Graces au Tombeau de Watteau, c1720-1770 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London

Background imageImages Dated 22nd September 2007: Diverse Figures, c1720-1770, (1924) Artist: Francois Boucher

Diverse Figures, c1720-1770, (1924) Artist: Francois Boucher
Diverse Figures, c1720-1770, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Figure, c1700-1720, (1924). Artist: Jean-Antoine Watteau

Figure, c1700-1720, (1924). Artist: Jean-Antoine Watteau
Figure, c1700-1720, (1924). Illustration from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, (John Lane, the Bodley Head Limited, London, 1924)

Background imageImages Dated 22nd September 2007: Drawing after Titian, c1710-1765 (1924) Artist: Caylus, Anne-Claude-Philippe de

Drawing after Titian, c1710-1765 (1924) Artist: Caylus, Anne-Claude-Philippe de
Drawing after Titian, c1710-1765, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Drawing after Leonardo de Vinci, c1710-1765 (1924) Artist: Caylus, Anne-Claude-Philippe de

Drawing after Leonardo de Vinci, c1710-1765 (1924) Artist: Caylus, Anne-Claude-Philippe de
Drawing after Leonardo de Vinci, c1710-1765 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Sunset, c1620-1680 (1924)Artist: Claude Lorrain

Sunset, c1620-1680 (1924)Artist: Claude Lorrain
Sunset, c1620-1680 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Campo Vacino, c1620-1680 (1924). Artist: Claude Lorrain

Campo Vacino, c1620-1680 (1924). Artist: Claude Lorrain
Campo Vacino, c1620-1680 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Capitaine Fracasse, c120-1670 (1924)Artist: Abraham Bosse

Capitaine Fracasse, c120-1670 (1924)Artist: Abraham Bosse
Capitaine Fracasse, c120-1670 (1924) A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Vue Ancienne de Paris, c1615-1635 (1924). Artist: Jacques Callot

Vue Ancienne de Paris, c1615-1635 (1924). Artist: Jacques Callot
Vue Ancienne de Paris, c1615-1635 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: L Eventail (The Fan), 1619 (1924). Artist: Jacques Callot

L Eventail (The Fan), 1619 (1924). Artist: Jacques Callot
L Eventail (The Fan), 1916 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: St Sebastien, c1605-1630 (1924). Artist: Jacques Callot

St Sebastien, c1605-1630 (1924). Artist: Jacques Callot
St Sebastien, c1605-1630, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Virgin and Child, early 14th century

Virgin and Child, early 14th century. From the Psalter of Robert De Lisle. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part III

Background imageImages Dated 22nd September 2007: The marriage feast at Cana, early 14th century

The marriage feast at Cana, early 14th century. Below, in an initial letter S, the throwing overboard and casting up of Jonah. From the Queen Mary Psalter, produced in England

Background imageImages Dated 22nd September 2007: The Nativity and the Annunciation to the Shepherds, early 13th century

The Nativity and the Annunciation to the Shepherds, early 13th century. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part II

Background imageImages Dated 22nd September 2007: Initial letter B, 1012-1023

Initial letter B, 1012-1023. From the Eadui Psalter, originally produced in Canterbury. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part II

Background imageImages Dated 22nd September 2007: Tree of Jesse, early 15th century. Artist: Master of the Beaufort Saints

Tree of Jesse, early 15th century. Artist: Master of the Beaufort Saints
Tree of Jesse, early 15th century. From the Beaufort Hours, produced in England. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part VI

Background imageImages Dated 22nd September 2007: Illuminated initial letters with scenes from the life of St Jerome, late 14th century

Illuminated initial letters with scenes from the life of St Jerome, late 14th century. From the Great Bible (St Jerome version), produced in England

Background imageImages Dated 22nd September 2007: Text page with biblical scenes, late 14th century

Text page with biblical scenes, late 14th century. From St Augustine, De Civitate Dei. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part VI

Background imageImages Dated 22nd September 2007: Tree of Jesse in initial letter I, late 13th century

Tree of Jesse in initial letter I, late 13th century. Page of Latin text with decorated initial letters, fom the Gospel Lectionary, produced in Paris

Background imageImages Dated 22nd September 2007: The Ideal State of the Sainte Abbaye, c1300

The Ideal State of the Sainte Abbaye, c1300. Illustration from School of Illumination, Reproductions from Manuscripts in the British Museum, Part V, Carolingian and French to early 14th Century

Background imageImages Dated 22nd September 2007: Illuminated initial Q, c1073

Illuminated initial Q, c1073. Beginning of Psalm 51, with decorated initial Q and decorated borders, from a psalter originally produced in England, possibly New Minster, Winchester

Background imageImages Dated 22nd September 2007: The Etcher, c1860-1880 (1924). Artist: Paul Adolphe Rajon

The Etcher, c1860-1880 (1924). Artist: Paul Adolphe Rajon
The Etcher, c1860-1880 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Le Collectionneur, c1900-1935 (1924). Artist: Armand Coussens

Le Collectionneur, c1900-1935 (1924). Artist: Armand Coussens
Le Collectionneur, c1900-1935 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Pont Breton, c1890-1940 (1924). Artist: Ferdinand-Jean Luigini

Pont Breton, c1890-1940 (1924). Artist: Ferdinand-Jean Luigini
Pont Breton, c1890-1940 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Pluie, 1880-1940 (1924). Artist: Gaston De Latenay

La Pluie, 1880-1940 (1924). Artist: Gaston De Latenay
La Pluie, 1880-1940 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Fin de la Journee, 1890-1940 (1924). Artist: Gaston De Latenay

Fin de la Journee, 1890-1940 (1924). Artist: Gaston De Latenay
Fin de la Journee, 1890-1940 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Chaumiere, c1870-1920 (1924). Artist: Jean Francois Raffaelli

La Chaumiere, c1870-1920 (1924). Artist: Jean Francois Raffaelli
La Chaumiere, c1870-1920 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: La Corne d Or, Constantinople, c1885-1910 (1924). Artist: Alexandre Lunois

La Corne d Or, Constantinople, c1885-1910 (1924). Artist: Alexandre Lunois
La Corne d Or, Constantinople, c1885-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Notre Dame, c1870-1920 (1924). Artist: Jean Francois Raffaelli

Notre Dame, c1870-1920 (1924). Artist: Jean Francois Raffaelli
Notre Dame, c1870-1920 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Le Chemineau, c1870-1920 (1924). Artist: Jean Francois Raffaelli

Le Chemineau, c1870-1920 (1924). Artist: Jean Francois Raffaelli
Le Chemineau, c1870-1920 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: Pastorale, c1896-1936 (1924)

Pastorale, c1896-1936 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageImages Dated 22nd September 2007: St Nazaire, 1924

St Nazaire, 1924. A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924



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