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Images Dated 10th July 2007 (page 3)

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Background imageImages Dated 10th July 2007: Co Roscommon, St. Nathys Cathedral, Ballaghaderreen, Ireland

Co Roscommon, St. Nathys Cathedral, Ballaghaderreen, Ireland

Background imageImages Dated 10th July 2007: County Cork, Ireland, Dairy Cattle

County Cork, Ireland, Dairy Cattle

Background imageImages Dated 10th July 2007: St. Kevins Kitchen, Glendalough, County Wicklow, Ireland

St. Kevins Kitchen, Glendalough, County Wicklow, Ireland

Background imageImages Dated 10th July 2007: Spotted fritillary (Melitaea didyma) on Plantain seed head, Fliess, Naturpark Kaunergrat

Spotted fritillary (Melitaea didyma) on Plantain seed head, Fliess, Naturpark Kaunergrat, Tirol, Austria, July 2008

Background imageImages Dated 10th July 2007: Spotted fritillary (Melitaea didyma) on Plantain seed head, Fliess, Naturpark Kaunergrat

Spotted fritillary (Melitaea didyma) on Plantain seed head, Fliess, Naturpark Kaunergrat, Tirol, Austria, July 2008. WWE OUTDOOR EXHIBITION. NOT AVAILABLE FOR GREETING CARDS OR CALENDARS

Background imageImages Dated 10th July 2007: Spotted fritillary (Melitaea didyma) on plant with flower buds, Fliess, Naturpark Kaunergrat

Spotted fritillary (Melitaea didyma) on plant with flower buds, Fliess, Naturpark Kaunergrat, Tirol, Austria, July 2008

Background imageImages Dated 10th July 2007: Tilbury Fort gun N071539

Tilbury Fort gun N071539
TILBURY FORT, Essex. View of wall mounted gun in a concrete emplacement

Background imageImages Dated 10th July 2007: Tilbury Fort N071534

Tilbury Fort N071534
TILBURY FORT, Essex. View of wooden bridge to gatehouse in outer wall

Background imageImages Dated 10th July 2007: Stott Park Bobbin Mill J010127

Stott Park Bobbin Mill J010127
STOTT PARK BOBBIN MILL, Finthswaite, Lakeside, Cumbria. Interior view of the main lathe workshop

Background imageImages Dated 10th July 2007: ETIENNE BRULE (c1592-1633). French explorer in Canada

ETIENNE BRULE (c1592-1633). French explorer in Canada. Etienne Brule with a raiding party of Huron Native Americans at the mouth of the Humber River by Lake Ontario. Drawing by C.W. Jefferys

Background imageImages Dated 10th July 2007: People walking on Rue du Petit Champlain, Quebec City, Quebec, Canada, North America

People walking on Rue du Petit Champlain, Quebec City, Quebec, Canada, North America

Background imageImages Dated 10th July 2007: No 8 Shop, Carriage Paint Shop, 1953

No 8 Shop, Carriage Paint Shop, 1953
This was the sign writing section for all the carriages. All sorts of signs and notices were hand painted. It was a skillful job and a lot of precision was required

Background imageImages Dated 10th July 2007: No 1 Shop, Timber Yard, 1928

No 1 Shop, Timber Yard, 1928
The Timber Yard stored thousands of planks of wood. Some stacks were the height of three men! The Carriage and Wagon Works was the biggest user of the wood

Background imageImages Dated 10th July 2007: Presentation of the Robins Bolitho Challenge Shield to the GWR Truro Ambulance Team, 1921

Presentation of the Robins Bolitho Challenge Shield to the GWR Truro Ambulance Team, 1921
Taken from the GWR Magazine, February 1922

Background imageImages Dated 10th July 2007: Adult Purple Heron, Ardea purpurea, The Netherlands

Adult Purple Heron, Ardea purpurea, The Netherlands

Background imageImages Dated 10th July 2007: Adult Purple Heron, Ardea purpurea, The Netherlands

Adult Purple Heron, Ardea purpurea, The Netherlands

Background imageImages Dated 10th July 2007: Crumbling colonial villas on Ilha do Mozambique

Crumbling colonial villas on Ilha do Mozambique, the old capital of Portuguese East Africa

Background imageImages Dated 10th July 2007: Audley End House & Gardens J020099

Audley End House & Gardens J020099
AUDLEY END HOUSE AND GARDENS, Saffron Walden, Essex. View of the East front and the parterre flower garden

Background imageImages Dated 10th July 2007: Iceland, Seljalandsfoss Waterfall, Wildflowers

Iceland, Seljalandsfoss Waterfall, Wildflowers

Background imageImages Dated 10th July 2007: dune, Isolated, red dunes

dune, Isolated, red dunes
Side by side

Background imageImages Dated 10th July 2007: Improved Gatling Gun

Improved Gatling Gun
The improved Gatling Gun, the first machine gun, 7th February 1874. Original Publication : The Weekly Journal of Practical Information - pub

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Al Conde Palatino

Francisco de Goya (Spanish, 1746-1828). Al Conde Palatino. (To the Count Palatine [or] Count of the Palate]), 1796-1797. From Los Caprichos, no. 33. Etching, aquatint, drypoint, and burin

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Por que fue sensible

Francisco de Goya (Spanish, 1746-1828). Por que fue sensible. (Because she was susceptible.), 1796-1797. From Los Caprichos, no. 32. Aquatint. Plate: 215 mm x 152 mm (8.46 in. x 5.98 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Ruega por ella. (She prays for her. ), 1796-1797

Francisco de Goya (Spanish, 1746-1828). Ruega por ella. (She prays for her. ), 1796-1797
Francisco de Goya (Spanish, 1746-1828). Ruega por ella. (She prays for her.), 1796-1797. From Los Caprichos, no. 31. Etching, burnished aquatint, drypoint, and burin. Plate: 205 mm x 150 mm (8.07 in)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Dios la perdone: Y era su madre

Francisco de Goya (Spanish, 1746-1828). Dios la perdone: Y era su madre. (For heavens sake: and it was her mother.), 1796-1797. From Los Caprichos, no. 16. Etching, aquatint, and drypoint

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Bien tirada esta. (It is nicely stretched

Francisco de Goya (Spanish, 1746-1828). Bien tirada esta. (It is nicely stretched.), 1796-1797. From Los Caprichos, no. 17. Etching, burnished aquatint, and burin. Plate: 215 mm x 157 mm (8.46 in)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Porque esconderlos? (Why hide them?), 1796-1797

Francisco de Goya (Spanish, 1746-1828). Porque esconderlos? (Why hide them?), 1796-1797. From Los Caprichos, no. 30. Etching, aquatint, and drypoint. Plate: 215 mm x 151 mm (8.46 in. x 5.94 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Que se la llevaron! (They carried her off

Francisco de Goya (Spanish, 1746-1828). Que se la llevaron! (They carried her off!), 1796-1797 (printed ca. 1878). From Los Caprichos, no. 8. Etching and aquatint on wove paper

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Si sabra mas el discipulo? (Might not the

Francisco de Goya (Spanish, 1746-1828). Si sabra mas el discipulo? (Might not the pupil know more?), 1796-1797 (printed 1937). From Los Caprichos, no. 37. Etching, aquatint, and burin

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Tantalo. (Tantalus. ), 1796-1797. From Los Caprichos

Francisco de Goya (Spanish, 1746-1828). Tantalo. (Tantalus. ), 1796-1797. From Los Caprichos
Francisco de Goya (Spanish, 1746-1828). Tantalo. (Tantalus.), 1796-1797. From Los Caprichos, no. 9. Etching and burnished aquatint. Plate: 205 mm x 150 mm (8.07 in. x 5.91 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Que se la llevaron! (They carried her off

Francisco de Goya (Spanish, 1746-1828). Que se la llevaron! (They carried her off!), 1796-1797. From Los Caprichos, no. 8. Etching and aquatint. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Obsequio a el maestro. (A gift for the master

Francisco de Goya (Spanish, 1746-1828). Obsequio a el maestro. (A gift for the master.), 1796-1797. From Los Caprichos, no. 47. Etching, burnished aquatint, and burin on cream laid paper

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Soplones

Francisco de Goya (Spanish, 1746-1828). Soplones. (Tale-bearers-Blasts of wind), 1796-1797. From Los Caprichos, no. 48. Etching and burnished aquatint on cream laid paper

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Correccion

Francisco de Goya (Spanish, 1746-1828). Correccion. (Correction.), 1796-1797. From Los Caprichos, no. 46. Etching and burnished aquatint on cream laid paper. Plate: 215 mm x 150 mm (8.46 in)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Mucho hay que chupar. (There is plenty to suck

Francisco de Goya (Spanish, 1746-1828). Mucho hay que chupar. (There is plenty to suck.), 1796-1797. From Los Caprichos, no. 45. Etching and burnished aquatint. Plate: 201 mm x 150 mm (7.91 in)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Hilan delgado. (They spin finely. ), 1796-1797

Francisco de Goya (Spanish, 1746-1828). Hilan delgado. (They spin finely. ), 1796-1797
Francisco de Goya (Spanish, 1746-1828). Hilan delgado. (They spin finely.), 1796-1797. From Los Caprichos, no. 44. Etching, aquatint, drypoint, and burin. Plate: 214 mm x 150 mm (8.43 in)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). El sueno de la razon produce monstruos

Francisco de Goya (Spanish, 1746-1828). El sueno de la razon produce monstruos. (The sleep of reason produces monsters.), 1796-1797. From Los Caprichos, no. 43. Etching and aquatint

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Ni mas ni menos. (Neither more nor less. )

Francisco de Goya (Spanish, 1746-1828). Ni mas ni menos. (Neither more nor less. )
Francisco de Goya (Spanish, 1746-1828). Ni mas ni menos. (Neither more nor less.), 1796-1797. From Los Caprichos, no. 41. Etching, burnished aquatint, drypoint, and burin

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Tu que no puedes

Francisco de Goya (Spanish, 1746-1828). Tu que no puedes. (Thou who canst not.), 1796-1797. From Los Caprichos, no. 42. Etching and burnished aquatint. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). De que mal morira? (Of what ill will he die?)

Francisco de Goya (Spanish, 1746-1828). De que mal morira? (Of what ill will he die?), 1796-1797. From Los Caprichos, no. 40. Etching and aquatint. Plate: 213 mm x 148 mm (8.39 in. x 5.83 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Asta su Abuelo. (And so was his grandfather

Francisco de Goya (Spanish, 1746-1828). Asta su Abuelo. (And so was his grandfather.), 1796-1797. From Los Caprichos, no. 39. Aquatint. Plate: 213 mm x 150 mm (8.39 in. x 5.91 in.). First state

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Si sabra mas el discipulo? (Might not the

Francisco de Goya (Spanish, 1746-1828). Si sabra mas el discipulo? (Might not the pupil know more?), 1796-1797. From Los Caprichos, no. 37. Etching, aquatint, and burin

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Brabisimo! (Bravo!), 1796-1797. From Los Caprichos

Francisco de Goya (Spanish, 1746-1828). Brabisimo! (Bravo!), 1796-1797. From Los Caprichos, no. 38. Etching, burnished aquatint and drypoint. Plate: 214 mm x 150 mm (8.43 in. x 5.91 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Le descanona. (She fleeces him. ), 1796-1797

Francisco de Goya (Spanish, 1746-1828). Le descanona. (She fleeces him. ), 1796-1797
Francisco de Goya (Spanish, 1746-1828). Le descanona. (She fleeces him.), 1796-1797. From Los Caprichos, no. 35. Etching and burnished aquatint. Plate: 215 mm x 152 mm (8.46 in. x 5.98 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Mala noche

Francisco de Goya (Spanish, 1746-1828). Mala noche. (A bad night.), 1796-1797. From Los Caprichos, no. 36. Etching and burnished aquatint. Plate: 215 mm x 151 mm (8.46 in. x 5.94 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Las rinde el Sueno. (Sleep overcomes them

Francisco de Goya (Spanish, 1746-1828). Las rinde el Sueno. (Sleep overcomes them.), 1796-1797. From Los Caprichos, no. 34. Etching and burnished aquatint. Plate: 215 mm x 151 mm (8.46 in. x 5.94 in.)

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Si quebro el Cantaro. (Yes he broke the pot

Francisco de Goya (Spanish, 1746-1828). Si quebro el Cantaro. (Yes he broke the pot.), 1796-1797. From Los Caprichos, no. 25. Etching, aquatint, and drypoint on cream laid paper

Background imageImages Dated 10th July 2007: Francisco de Goya (Spanish, 1746-1828). Esto si que es leer

Francisco de Goya (Spanish, 1746-1828). Esto si que es leer. (That certainly is being able to read.), 1796-1797. From Los Caprichos, no. 29. Etching, aquatint, and drypoint



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