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Home > All Images > 2006 > October > 31 Oct 2006

Images Dated 31st October 2006 (page 4)

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Background imageImages Dated 31st October 2006: The burning of the Temple at Ephesus, 1753. Artist: Paul Sandby

The burning of the Temple at Ephesus, 1753. Artist: Paul Sandby
The burning of the Temple at Ephesus, 1753. The Temple of Artemis (Diana) at Ephesus (in modern Turkey) was destroyed in 356 BC in an act of arson

Background imageImages Dated 31st October 2006: False Perspective, 1753. Artist: Luke Sullivan

False Perspective, 1753. Artist: Luke Sullivan
False Perspective, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: An Ape painting an Ass, 1753. Artist: George Bickham

An Ape painting an Ass, 1753. Artist: George Bickham
An Ape painting an Ass, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Battle of the Pictures, 1745. Artist: William Hogarth

The Battle of the Pictures, 1745. Artist: William Hogarth
The Battle of the Pictures, 1745. The bearer hereof is entitled (if he thinks proper) to be a bidder for Mr Hogarths pictures, which are to be sold on the last day of this month

Background imageImages Dated 31st October 2006: Sir Horace Mann, 18th century. Artist: Thomas Patch

Sir Horace Mann, 18th century. Artist: Thomas Patch
Sir Horace Mann, 18th century. Caricature of British diplomat Mann with Florences Duomo in the background. Uni se humiliat exaltabitut chi si umilia salta salta

Background imageImages Dated 31st October 2006: Satire on a picture auction, 1730. Artist: William Henry Toms

Satire on a picture auction, 1730. Artist: William Henry Toms
Satire on a picture auction, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: The phiz and character of an Alexandrine hyper-critch and comentator, 1728

The phiz and character of an Alexandrine hyper-critch and comentator, 1728. His Holiness [The Pope, as a monkey] and his Prime Minister [a donkey]

Background imageImages Dated 31st October 2006: A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth
A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Taste: The Gate of Burlington House, 1731. Artist: William Hogarth

Taste: The Gate of Burlington House, 1731. Artist: William Hogarth
Taste: The Gate of Burlington House, 1731. Contemplations upon a coronet. 1797. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Holdl! - Pizarro - Hear me! If not always justly, at least act always greatly, 1799

Holdl! - Pizarro - Hear me! If not always justly, at least act always greatly, 1799. Artist: Robert Dighton
Holdl! - Pizarro - Hear me! If not always justly, at least act always greatly, 1799. Contemplations upon a coronet, 1797. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Contemplations upon a coronet, 1797

Contemplations upon a coronet, 1797. Caricature of the actress Elizabeth Farren (c1759-1829) who became Countess of Derby. She admires a coronet on a stand

Background imageImages Dated 31st October 2006: The Marriage of Cupid and Psyche, 1797

The Marriage of Cupid and Psyche, 1797. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: Tom and Jerry, catching Kate and Sue on the fly, having their fortunes told, 19th century

Tom and Jerry, catching Kate and Sue on the fly, having their fortunes told, 19th century. Kate and Sue having their fortunes read in the cards (Cartomancy) by an old woman

Background imageImages Dated 31st October 2006: Costume design for Dear Little Denmark, Prince of Wales Theatre, 1909

Costume design for Dear Little Denmark, Prince of Wales Theatre, 1909

Background imageImages Dated 31st October 2006: Mrs Coutts, English actress, 19th century

Mrs Coutts, English actress, 19th century. Portrait of Harriot Mellon (c1777-1837) who married Thomas Coutts, founder of Coutts & Co, the royal bank

Background imageImages Dated 31st October 2006: Carisbrooke Castle and village, Isle of Wight, 19th century

Carisbrooke Castle and village, Isle of Wight, 19th century

Background imageImages Dated 31st October 2006: Lady Emily Dungarvon, 19th century. Artist: WH Mote

Lady Emily Dungarvon, 19th century. Artist: WH Mote
Lady Emily Dungarvon, 19th century

Background imageImages Dated 31st October 2006: Mrs Granvilles cottage, Great Missenden, Buckinghamshire, 19th century. Artist: J Perry

Mrs Granvilles cottage, Great Missenden, Buckinghamshire, 19th century. Artist: J Perry
Rosemont, Mrs Granvilles cottage, Great Missenden, Buckinghamshire, 19th century

Background imageImages Dated 31st October 2006: Albert Durers Designs for the Prayer Book, 1817. Artist: Albrecht Durer

Albert Durers Designs for the Prayer Book, 1817. Artist: Albrecht Durer
Albert Durers Designs for the Prayer Book, 1817

Background imageImages Dated 31st October 2006: Alice Bridgenorth, a character in Walter Scotts novel Peveril of the Peak, 19th century

Alice Bridgenorth, a character in Walter Scotts novel Peveril of the Peak, 19th century. Alice Bridgenorth is a Roundheads daughter in the novel which was published in 1822

Background imageImages Dated 31st October 2006: St Marys, Drogheda, Ireland, 1791

St Marys, Drogheda, Ireland, 1791
St Mary s, Drogheda, Ireland, 1791

Background imageImages Dated 31st October 2006: Officer of Hussars, Officer, infantry of the Line, Gunner, horse artillery, 19th century

Officer of Hussars, Officer, infantry of the Line, Gunner, horse artillery, 19th century
Officer of Hussars; Officer, infantry of the Line; Gunner, horse artillery, 19th century

Background imageImages Dated 31st October 2006: Prussian soldiers of 1813. Artist: E Burger

Prussian soldiers of 1813. Artist: E Burger
Prussian soldiers of 1813. Landwehr infantry; Volunteer Jager; Silesian grenadier; Dragoon; Cuirassier; Landwehr cavalry; Landwehr officer

Background imageImages Dated 31st October 2006: Trooper of the camel corps of the First Napoleons Egyptian Army, 1790s (20th century)

Trooper of the camel corps of the First Napoleons Egyptian Army, 1790s (20th century). Napoleon invaded Egypt in March 1798

Background imageImages Dated 31st October 2006: George IV and the Duke of York, The Royal Stand, Ascot, early 19th century

George IV and the Duke of York, The Royal Stand, Ascot, early 19th century. King George IV (1762-1830) and his brother Prince Frederick, Duke of York and Albany, watching horse racing in Berkshire

Background imageImages Dated 31st October 2006: Gillingham, Kent, England, 19th century

Gillingham, Kent, England, 19th century. View of a country church and graves

Background imageImages Dated 31st October 2006: Rochester Castle, Kent, 19th century

Rochester Castle, Kent, 19th century

Background imageImages Dated 31st October 2006: Joseph Interpreting Pharaohs Dream, early 20th century. Artist: Margaret Dovaston

Joseph Interpreting Pharaohs Dream, early 20th century. Artist: Margaret Dovaston
Joseph Interpreting Pharaohs Dream, early 20th century. Modern depiction of a story from the Bible, showing Joseph with the Egyptian pharaoh

Background imageImages Dated 31st October 2006: Painted screen, St Georges Chapel, 19th century

Painted screen, St Georges Chapel, 19th century

Background imageImages Dated 31st October 2006: Choir of Ely Cathedral, Cambridgeshire, 19th century

Choir of Ely Cathedral, Cambridgeshire, 19th century. The cathedral was begun in 1083 under William I

Background imageImages Dated 31st October 2006: The west front, Exeter Cathedral, 19th century

The west front, Exeter Cathedral, 19th century. The cathedral dates from 1050

Background imageImages Dated 31st October 2006: Chantry Chapel, Adjoining the Beauchamp Chapel, Warwick, 1845. Artist: John Scandrett Harford

Chantry Chapel, Adjoining the Beauchamp Chapel, Warwick, 1845. Artist: John Scandrett Harford
Chantry Chapel, Adjoining the Beauchamp Chapel, Warwick, 1845. The chapel is attached to the Church of St Mary, Warwick, and commemorates Richard Beauchamp, Earl of Warwick, who died in 1439

Background imageImages Dated 31st October 2006: The Castle Spectre and her ernest admirer, 1793

The Castle Spectre and her ernest admirer, 1793. Scene from The Castle Spectre by Matthew Gregory Lewis. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Actor reciting to a manager, late 18th century. Artist: Thomas Rowlandson

Actor reciting to a manager, late 18th century. Artist: Thomas Rowlandson
Actor reciting to a manager, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageImages Dated 31st October 2006: The Prospect before us, 1791. Artist: Thomas Rowlandson

The Prospect before us, 1791. Artist: Thomas Rowlandson
The Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon

Background imageImages Dated 31st October 2006: Melpomene, 1784

Melpomene, 1784. Melpomene, meaning to sing or the one that is melodious, was the Muse of tragedy in Greek mythology. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Dr Arne, 1782. Artist: Francesco Bartolozzi

Dr Arne, 1782. Artist: Francesco Bartolozzi
Dr Arne, 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Satire on Vestris, 1781. Artist: Paul Sandby

Satire on Vestris, 1781. Artist: Paul Sandby
Satire on Vestris, 1781. The French dancer Marie-Jean-Augustin Vestris, known as Auguste Vestris (1760-1842). Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard

Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard
Fitz-Giggo: A New English Uproar 1763. Some excited members of the audience are invading the stage. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Buck Metamorphosed... 1754.Artist: G Smith

The Buck Metamorphosed... 1754.Artist: G Smith
The Buck Metamorphosed or Mr Foote in the character of the Englishman return d from Paris, 1754. A comment on French fashions which were seen as foppish by the British

Background imageImages Dated 31st October 2006: James Boswell, esq in the dress of an armed Corsican Chief, 1769. Artist: James Wale

James Boswell, esq in the dress of an armed Corsican Chief, 1769. Artist: James Wale
James Boswell, esq in the dress of an armed Corsican Chief, as he appeared at Shakespeares Jubilee, at Stratford upon Avon, September 1769. Portrait of Scots writer James Boswell (1740-1795)

Background imageImages Dated 31st October 2006: The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian

The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian
The Theatrical Steel Yards of 1750, (1751). Players hang from scales surmounted by the motto Totus mundus agit histrionem, - All the worlds a stage

Background imageImages Dated 31st October 2006: The Charming Brute, (A satire on Handel), 1754

The Charming Brute, (A satire on Handel), 1754. The German composer Handel, here depicted as a pig, had a huge appetite. Here he is at his organ, sitting on a barrel of ale, surrounded by poultry

Background imageImages Dated 31st October 2006: Mr Woodward in the character of Mercutio, 1753

Mr Woodward in the character of Mercutio, 1753. Actor Henry Woodward (1717-1777) in the part of Mercutio from Shakespeares Romeo and Juliet

Background imageImages Dated 31st October 2006: The judgement of the Queens Common Sense, 1736

The judgement of the Queens Common Sense, 1736. Address d to Henry Fielding esq. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Richs Glory: or his triumphant entry in Covent Garden, 1732. Artist: William Hogarth

Richs Glory: or his triumphant entry in Covent Garden, 1732. Artist: William Hogarth
Richs Glory: or his triumphant entry in Covent Garden, 1732. A procession marking John Richs entry into Covent Garden. On the right a carriage is being pulled by satyrs

Background imageImages Dated 31st October 2006: The Stages Glory, 18th century

The Stages Glory, 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: If musicks charms can hearts enthral, 1730. Artist: William Hogarth

If musicks charms can hearts enthral, 1730. Artist: William Hogarth
If musicks charms can hearts enthral, this consorts sure above em all. How sweet the sound where cats and bears, with brutish noise offend our ears, just so the foreign singers move



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