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Home > All Images > 2006 > October > 31 Oct 2006

Images Dated 31st October 2006 (page 3)

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Background imageImages Dated 31st October 2006: The Bubblers Mirrorour, or Englands Folley (joy), 1720

The Bubblers Mirrorour, or Englands Folley (joy), 1720. Shares in the South Sea Company rose through overheated speculation causing the South Sea Bubble

Background imageImages Dated 31st October 2006: The Bubblers Mirrorour, or Englands Folley (grief), 1720

The Bubblers Mirrorour, or Englands Folley (grief), 1720. Shares in the South Sea Company rose through overheated speculation causing the South Sea Bubble

Background imageImages Dated 31st October 2006: The Bubblers Bubbl d or The Devil Take the Hindmost, 1720

The Bubblers Bubbl d or The Devil Take the Hindmost, 1720. Shares in the South Sea Company rose through overheated speculation causing the South Sea Bubble

Background imageImages Dated 31st October 2006: Cockney Sportsmen Recharging, 1800

Cockney Sportsmen Recharging, 1800. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: Cockney Sportsmen finding a hare, 1800

Cockney Sportsmen finding a hare, 1800. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageImages Dated 31st October 2006: Coming in at the Death, 1800

Coming in at the Death, 1800. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Patience in a punt, 1792. Artist: Henry William Bunbury

Patience in a punt, 1792. Artist: Henry William Bunbury
Patience in a punt, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Hounds throwing off, 1800. Artist: Henry William Bunbury

Hounds throwing off, 1800. Artist: Henry William Bunbury
Hounds throwing off, 1800. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Cock of the Green, 18th century. Artist: John Kay

Cock of the Green, 18th century. Artist: John Kay
Cock of the Green, 18th century. By the la Harry, This shall not go for Nothing. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: How to escape winning, 1791. Artist: Thomas Rowlandson

How to escape winning, 1791. Artist: Thomas Rowlandson
How to escape winning, 1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Going to the races, late 18th century. Artist: Thomas Rowlandson

Going to the races, late 18th century. Artist: Thomas Rowlandson
Going to the races, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: St George and the Dragon and Mademoiselle Riposting, 1789

St George and the Dragon and Mademoiselle Riposting, 1789. Charles-Genevieve-Louis-Auguste-Andre-Timothee Eon de Beaumont (1728-1810)

Background imageImages Dated 31st October 2006: The Royal Academy, 1786

The Royal Academy, 1786. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Mlle la Chevaliere d Eon de Beaumont fencing, 18th century

Mlle la Chevaliere d Eon de Beaumont fencing, 18th century. Charles-Genevieve-Louis-Auguste-Andre-Timothee Eon de Beaumont (1728-1810)

Background imageImages Dated 31st October 2006: Mlle la Chevaliere d Eon de Beaumont fencing at Carlton House, 9th April 1787

Mlle la Chevaliere d Eon de Beaumont fencing at Carlton House, 9th April 1787. The Chevalier d Eon (1728-1810) having a swordfight with Monsieur de Saint George

Background imageImages Dated 31st October 2006: A Bit of Blood, 1787. Artist: W Dickinson

A Bit of Blood, 1787. Artist: W Dickinson
A Bit of Blood, 1787. A sign says The bridle-way to horse-lydown. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Henry Bunbury Esq, 1787. Artist: Thomas Ryder

Henry Bunbury Esq, 1787. Artist: Thomas Ryder
Henry Bunbury Esq, 1787. Portrait of British artist Henry William Bunbury (1750-1811). Bunbury was an equerry to the Duke of York

Background imageImages Dated 31st October 2006: The Mistaken Notion, 1789. Artist: W Dickinson

The Mistaken Notion, 1789. Artist: W Dickinson
The Mistaken Notion, 1789. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Enterprizing Lunardis Grand Air Ballon, 1784

The Enterprizing Lunardis Grand Air Ballon, 1784
The Enterprizing Lunardis Grand Air Ballon. which took its flight from the Artillery Ground September 15th, 1784. Amidst the acclamations of 300, 000 spectators

Background imageImages Dated 31st October 2006: The New-fashioned Phaeton, 1776

The New-fashioned Phaeton, 1776. Sic itur ad astra - Thus do we reach the stars. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Richmond Hill, 1782. Artist: W Dickinson

Richmond Hill, 1782. Artist: W Dickinson
Richmond Hill, 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Phaetona, or Modern Female Taste, 1776. Artist: Colley

Phaetona, or Modern Female Taste, 1776. Artist: Colley
Phaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageImages Dated 31st October 2006: Sir Gregory Gigg, 1732. Artist: Henry William Bunbury

Sir Gregory Gigg, 1732. Artist: Henry William Bunbury
Sir Gregory Gigg, 1732. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Taylor riding to Brentford, 1768. Artist: TS Stayner

The Taylor riding to Brentford, 1768. Artist: TS Stayner
The Taylor riding to Brentford, 1768. The rider has Rules for bad horsemen in his pocket. A poster reads Various feats of horsemanship performed this evening by the famous Sampson

Background imageImages Dated 31st October 2006: The New Gig, 1781. Artist: Colley

The New Gig, 1781. Artist: Colley
The New Gig. 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Isis Macaroni, 1772. Artist: John Collet

The Isis Macaroni, 1772. Artist: John Collet
The Isis Macaroni, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Sporting Lady, 1776

The Sporting Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Miss Wicket and Miss Trigger, 1770

Miss Wicket and Miss Trigger, 1770. Miss Trigger you see is an excellent shot, and forty-five notches Miss Wickets just got. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Cock-pit, 1759. Artist: William Hogarth

The Cock-pit, 1759. Artist: William Hogarth
The Cock-pit, 1759. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albemarle Bertie (centre)

Background imageImages Dated 31st October 2006: Building Houses with Cards, 1743. Artist: Truchy

Building Houses with Cards, 1743. Artist: Truchy
Building Houses with Cards, 1743. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: Battledore and Shuttlecock, 1743. Artist: Nathaniel Parr

Battledore and Shuttlecock, 1743. Artist: Nathaniel Parr
Battledore and Shuttlecock. 1743. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: The bruising match, 1730

The bruising match, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Satan in all his Glory... 1792.Artist: James Gillray

Satan in all his Glory... 1792.Artist: James Gillray
Satan in all his Glory; - or Peter Pindar crouching to the devil, sketch d from the peep-hole at scalegill, 1792. To the worthy inhabitants of Cumberland

Background imageImages Dated 31st October 2006: George Morland, 1786. Artist: Thomas Rowlandson

George Morland, 1786. Artist: Thomas Rowlandson
George Morland, 1786. Portrait of British artist George Morland (1763-1804). Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray

Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray
Shakespeare sacrificed, or the offering to avarice, 1789. Publisher John Boydell commissioned paintings illustrating subjects from Shakespeares plays

Background imageImages Dated 31st October 2006: The Historian animating the mind of a young painter, 1784. Artist: Thomas Rowlandson

The Historian animating the mind of a young painter, 1784. Artist: Thomas Rowlandson
The Historian animating the mind of a young painter, 1784. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson

Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson
Starving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageImages Dated 31st October 2006: The Macaroni Print Shop, 1772

The Macaroni Print Shop, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson

James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson
James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Scots writer James Boswell and his wife Margaret at tea with English lexicographer Dr Samuel Johnson

Background imageImages Dated 31st October 2006: The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Artist: Thomas Rowlandson

The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Artist: Thomas Rowlandson
The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Caricature of Scots writer James Boswell (1740-1795) on the coast near his family seat of Auchinleck in Scotland

Background imageImages Dated 31st October 2006: Dr Johnson in his travelling dress, as described in Boswells Tour, c1773, (1786)

Dr Johnson in his travelling dress, as described in Boswells Tour, c1773, (1786). Artist: Thomas Trotter
Dr Johnson in his travelling dress, as described in Boswells Tour, c1773, (1786). The famous English lexicographer wearing tricorne hat, frock coat, waistcoat, breeches and boots

Background imageImages Dated 31st October 2006: The Paintress of Macaroni s, 1770. Artist: Richard Dighton

The Paintress of Macaroni s, 1770. Artist: Richard Dighton
The Paintress of Macaroni s, 1770. A macaroni was a dandy who wore exaggerated fashions. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Old Wisdom blinking at the stars, 1782. Artist: W Rennie

Old Wisdom blinking at the stars, 1782. Artist: W Rennie
Old Wisdom blinking at the stars, 1782. Man of letters and lexicographer Samuel Johnson (1709-1784), as a wise owl, looks at busts of Milton and Pope

Background imageImages Dated 31st October 2006: The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton

The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton
The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. The painter Richard Cosway paints a macaroni or dandy in this satire on exaggerated fashions of the day

Background imageImages Dated 31st October 2006: The Reviewers Cave, 1765. Artist: Mortimer

The Reviewers Cave, 1765. Artist: Mortimer
The Reviewers Cave, 1765. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Sterne and Death. 1768. Artist: Thomas Patch

Sterne and Death. 1768. Artist: Thomas Patch
Sterne and Death. 1768. Portrait of Irish-born author and clergyman Laurence Sterne (1713-1768) who is best known for his novels The Life and Opinions of Tristram Shandy, Gentleman

Background imageImages Dated 31st October 2006: Frontispiece to the artists catalogue, c1760s. Artist: Charles Grignion

Frontispiece to the artists catalogue, c1760s. Artist: Charles Grignion
Frontispiece to the artists catalogue, c1760s. Britannia waters Architecture, Painting and Sculpture with water from George IIIs monument

Background imageImages Dated 31st October 2006: Burlesque sur le burlesque, 1753. Artist: Paul Sandby

Burlesque sur le burlesque, 1753. Artist: Paul Sandby
Burlesque sur le burlesque avec privilege du roi December 1st, 1753. An art critic watches Hogarth painting a cherub pissing on the sparking chamber of a gun



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