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Home > All Images > 2006 > August > 31 Aug 2006

Images Dated 31st August 2006 (page 3)

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Background imageImages Dated 31st August 2006: The Duke of Osuna and his Family, 1788. Artist: Francisco Goya

The Duke of Osuna and his Family, 1788. Artist: Francisco Goya
The Duke of Osuna and his Family, 1788. Found in the collection of the Prado, Madrid, Spain

Background imageImages Dated 31st August 2006: Guitar on a Table, 1915. Artist: Juan Gris

Guitar on a Table, 1915. Artist: Juan Gris
Guitar on a Table, 1915. Found in the collection of the Rijksmuseum Kroller-Muller, Otterlo, Netherlands

Background imageImages Dated 31st August 2006: Playing Cards and Siphon, 1916. Artist: Juan Gris

Playing Cards and Siphon, 1916. Artist: Juan Gris
Playing Cards and Siphon, 1916. Found in the collection of the Rijksmuseum Kroller-Muller, Otterlo, Netherlands. Works of Juan Gris are closely connected to the emergence of cubism

Background imageImages Dated 31st August 2006: The Merry Drinker, 1628-1630. Artist: Frans Hals

The Merry Drinker, 1628-1630. Artist: Frans Hals
The Merry Drinker, 1628-1630. Found in the collection of the Rijksmuseum, Amsterdam

Background imageImages Dated 31st August 2006: Married Couple in a Garden, c1622. Artist: Frans Hals

Married Couple in a Garden, c1622. Artist: Frans Hals
Married Couple in a Garden, c1622. From the collection of the Rijksmuseum, Amsterdam

Background imageImages Dated 31st August 2006: Fray Hortensio Felix Paravicino, 1609. Artist: El Greco

Fray Hortensio Felix Paravicino, 1609. Artist: El Greco
Fray Hortensio Felix Paravicino, 1609. Paravicino (1580-1633) was a Spanish preacher and poet and a member of the Trinitarian Order. From the collection of the Museum of Fine Art, Boston

Background imageImages Dated 31st August 2006: Christ Blessing ( The Saviour of the World ), 17th century. Artist: El Greco

Christ Blessing ( The Saviour of the World ), 17th century. Artist: El Greco
Christ Blessing ( The Saviour of the World ), 17th century

Background imageImages Dated 31st August 2006: The Assumption of the Virgin, c1613. Artist: El Greco

The Assumption of the Virgin, c1613. Artist: El Greco
The Assumption of the Virgin, c1613. From the collection of the Museo de Santa Cruz, Toledo, Spain

Background imageImages Dated 31st August 2006: St Andrew and St Francis, c1590-1595. Artist: El Greco

St Andrew and St Francis, c1590-1595. Artist: El Greco
St Andrew and St Francis, c1590-1595. From the collection of the Prado, Madrid, Spain

Background imageImages Dated 31st August 2006: Holy Family with St Anne (detail), c1590-1595. Artist: El Greco

Holy Family with St Anne (detail), c1590-1595. Artist: El Greco
Holy Family with St Anne (detail), c1590-1595. Detail of the Madonna. From the Hospital of St John the Baptist, Toledo, Spain

Background imageImages Dated 31st August 2006: A Nobleman with his Hand on his Chest, c1577-1584. Artist: El Greco

A Nobleman with his Hand on his Chest, c1577-1584. Artist: El Greco
A Nobleman with his Hand on his Chest, c1577-1584. From the collection of the Prado, Madrid, Spain

Background imageImages Dated 31st August 2006: Christ Clasping the Cross, 1600-1610. Artist: El Greco

Christ Clasping the Cross, 1600-1610. Artist: El Greco
Christ Clasping the Cross, 1600-1610. From the collection of the Prado, Madrid, Spain

Background imageImages Dated 31st August 2006: The Adoration, c1480s. Artist: Filippino Lippi

The Adoration, c1480s. Artist: Filippino Lippi
The Adoration, c1480s

Background imageImages Dated 31st August 2006: The Annunciation, c1450-1453. Artist: Filippino Lippi

The Annunciation, c1450-1453. Artist: Filippino Lippi
The Annunciation, c1450-1453. From the collection of the National Gallery, London

Background imageImages Dated 31st August 2006: The Virgin and Child with Saint John, 1480. Artist: Filippino Lippi

The Virgin and Child with Saint John, 1480. Artist: Filippino Lippi
The Virgin and Child with Saint John, 1480. From the collection of the National Gallery, London

Background imageImages Dated 31st August 2006: Madonna and Child with Angels, c1455. Artist: Filippino Lippi

Madonna and Child with Angels, c1455. Artist: Filippino Lippi
Madonna and Child with Angels, c1455. From the collection of the Galleria degli Uffizi, Florence, Italy

Background imageImages Dated 31st August 2006: The Virgin and Child with Saints Jerome and Dominic, c1485. Artist: Filippino Lippi

The Virgin and Child with Saints Jerome and Dominic, c1485. Artist: Filippino Lippi
The Virgin and Child with Saints Jerome and Dominic, c1485. From the collection of the National Gallery, London

Background imageImages Dated 31st August 2006: Moses Brings forth Water out of the Rock, c1500. Artist: Filippino Lippi

Moses Brings forth Water out of the Rock, c1500. Artist: Filippino Lippi
Moses Brings forth Water out of the Rock, c1500. From the collection of the National Gallery, London

Background imageImages Dated 31st August 2006: Portrait of an Old Man, 1485. Artist: Filippino Lippi

Portrait of an Old Man, 1485. Artist: Filippino Lippi
Portrait of an Old Man, 1485. From the collection of the Galleria degli Uffizi, Florence, Italy

Background imageImages Dated 31st August 2006: The Virgin and Child, c1450-1460. Artist: Filippino Lippi

The Virgin and Child, c1450-1460. Artist: Filippino Lippi
The Virgin and Child, c1450-1460. The coat of arms in the left spandrel is that of the Florentine Strozzi family. It is a later addition and may not have been part of the original commission

Background imageImages Dated 31st August 2006: Giovanni della Volta with his Wife and Children, c1547. Artist: Lorenzo Lotto

Giovanni della Volta with his Wife and Children, c1547. Artist: Lorenzo Lotto
Giovanni della Volta with his Wife and Children, c1547. Found in the collection of the National Gallery, London

Background imageImages Dated 31st August 2006: To rise and to fall, 1799. Artist: Francisco Goya

To rise and to fall, 1799. Artist: Francisco Goya
To rise and to fall, 1799. Plate 56 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: The men in sacks, 1819-1823. Artist: Francisco Goya

The men in sacks, 1819-1823. Artist: Francisco Goya
The men in sacks, 1819-1823. Plate 8 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: Matrimonial nightmare, 1819-1823. Artist: Francisco Goya

Matrimonial nightmare, 1819-1823. Artist: Francisco Goya
Matrimonial nightmare, 1819-1823. Plate 7 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)

Background imageImages Dated 31st August 2006: General Riddle, 1819-1823. Artist: Francisco Goya

General Riddle, 1819-1823. Artist: Francisco Goya
General Riddle, 1819-1823. Plate 9 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: Happy fantasy, 1819-1823. Artist: Francisco Goya

Happy fantasy, 1819-1823. Artist: Francisco Goya
Happy fantasy, 1819-1823. Plate 12 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: Riddle of the poor, 1819-1823. Artist: Francisco Goya

Riddle of the poor, 1819-1823. Artist: Francisco Goya
Riddle of the poor, 1819-1823. Plate 11 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)

Background imageImages Dated 31st August 2006: Carnival fantasy, 1819-1823. Artist: Francisco Goya

Carnival fantasy, 1819-1823. Artist: Francisco Goya
Carnival fantasy, 1819-1823. Plate 14 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: A way of flying, 1819-1823. Artist: Francisco Goya

A way of flying, 1819-1823. Artist: Francisco Goya
A way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: The exhortations, 1819-1823. Artist: Francisco Goya

The exhortations, 1819-1823. Artist: Francisco Goya
The exhortations, 1819-1823. Plate 16 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageImages Dated 31st August 2006: Even thus he cannot make her out, 1799. Artist: Francisco Goya

Even thus he cannot make her out, 1799. Artist: Francisco Goya
Even thus he cannot make her out, 1799. Plate 7 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: Nobody knows himself, 1799. Artist: Francisco Goya

Nobody knows himself, 1799. Artist: Francisco Goya
Nobody knows himself, 1799. Plate 6 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Artist: Francisco Goya

Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Artist: Francisco Goya
Queen Maria Luisa Teresa of Parma, Prime Minister of Spain, 1799. Plate 5 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: Nannys boy, 1799. Artist: Francisco Goya

Nannys boy, 1799. Artist: Francisco Goya
Nannys boy, 1799. Plate 4 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political liberalism

Background imageImages Dated 31st August 2006: Here comes the bogeyman, 1799. Artist: Francisco Goya

Here comes the bogeyman, 1799. Artist: Francisco Goya
Here comes the bogeyman, 1799. Plate 3 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: The sleep of reason produces monsters, 1799. Artist: Francisco Goya

The sleep of reason produces monsters, 1799. Artist: Francisco Goya
The sleep of reason produces monsters, 1799. From Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageImages Dated 31st August 2006: The spin finely, 1799. Artist: Francisco Goya

The spin finely, 1799. Artist: Francisco Goya
The spin finely, 1799. Plate 44 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageImages Dated 31st August 2006: Correction, 1799. Artist: Francisco Goya

Correction, 1799. Artist: Francisco Goya
Correction, 1799. Plate 46 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageImages Dated 31st August 2006: There is plenty to suck, 1799. Artist: Francisco Goya

There is plenty to suck, 1799. Artist: Francisco Goya
There is plenty to suck, 1799. Plate 45 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageImages Dated 31st August 2006: Cannibals savouring human remains, 1800-1808. Artist: Francisco Goya

Cannibals savouring human remains, 1800-1808. Artist: Francisco Goya
Cannibals savouring human remains, 1800-1808. Savage brandishing head and arm of human, Musee des Beaux-Arts et d Archeologie, Besancon, France

Background imageImages Dated 31st August 2006: The Shepherd, c1760-1820. Artist: Francisco Goya

The Shepherd, c1760-1820. Artist: Francisco Goya
The Shepherd, c1760-1820. Private collection

Background imageImages Dated 31st August 2006: The Injured Mason, 1786-1787. Artist: Francisco Goya

The Injured Mason, 1786-1787. Artist: Francisco Goya
The Injured Mason, 1786-1787. An injured laborer is carried by his colleagues, Prado Museum, Madrid, Spain

Background imageImages Dated 31st August 2006: Men with faces hidden, c1760-1820. Artist: Francisco Goya

Men with faces hidden, c1760-1820. Artist: Francisco Goya
Men with faces hidden, c1760-1820. Located in the collection at, Prado Museum, Madrid, Spain

Background imageImages Dated 31st August 2006: The Milkmaid of Bordeaux, c1824. Artist: Francisco Goya

The Milkmaid of Bordeaux, c1824. Artist: Francisco Goya
The Milkmaid of Bordeaux, c1824. Located in the collection at, Prado Museum, Madrid, Spain. One of the artists final paintings

Background imageImages Dated 31st August 2006: The Pottery Vendor, 1778. Artist: Francisco Goya

The Pottery Vendor, 1778. Artist: Francisco Goya
The Pottery Vendor, 1778. Located in the collection at, Prado Museum, Madrid, Spain

Background imageImages Dated 31st August 2006: La Cometa, (The Kite), 1778. Artist: Francisco Goya

La Cometa, (The Kite), 1778. Artist: Francisco Goya
La Cometa, (The Kite), 1778. Located in the collection at, Prado Museum, Madrid, Spain

Background imageImages Dated 31st August 2006: The Stilts, c1785. Artist: Francisco Goya

The Stilts, c1785. Artist: Francisco Goya
The Stilts, c1785. Located in the collection at, Prado Museum, Madrid, Spain

Background imageImages Dated 31st August 2006: The Grape Harvest, 1786-1787. Artist: Francisco Goya

The Grape Harvest, 1786-1787. Artist: Francisco Goya
The Grape Harvest, 1786-1787. Spanish peasant woman harvesting grapes, Prado Museum, Madrid, Spain



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