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Visiting the imprisoned: Santi Buglioni frieze on the Loggiato of the Ospedale del Ceppo in Pistoia
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Visiting the imprisoned: Santi Buglioni frieze on the Loggiato of the Ospedale del Ceppo in Pistoia
Visiting the imprisoned: Santi Buglioni frieze on the Loggiato of the Ospedale del Ceppo in Pistoia Pistoia Ospedale del Ceppo High Relief High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XV-XVI secc.. Artist:Buglioni, Santi
Brogi
BGA-F-004554-0000
Media ID 33160597
© Alinari Archives, Florence
Apron Bucket Footwear Grillhigh Renaissance Mantle Cloak Person And Social Status Prisoner For Daytime Headdress Civilian Society And Politics
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Visiting the Imprisoned - A Glimpse into Renaissance-Baroque Europe
EDITORS COMMENTS
. This photograph captures a moment frozen in time, showcasing the intricate Santi Buglioni frieze on the Loggiato of the Ospedale del Ceppo in Pistoia. Dating back to around 1890, this print offers us a glimpse into the rich history of High Renaissance artistry. The artwork itself dates back even further, to the XV-XVI centuries, representing a harmonious blend of High Renaissance, Renaissance-Baroque styles and periods. Created by Buglioni, an esteemed artist of his time, it stands as a testament to his skill and mastery. In this image, we see a male figure dressed in traditional clothing from that era. With attention to detail evident in every aspect of his attire - from his headdress down to his footwear - we are transported back to an age where fashion played an integral role in society. The presence of religious symbolism is also apparent; perhaps this individual represents someone with ties to both civilian life and military service. The apron he wears hints at some form of occupation or trade. Behind him lies a window adorned with grills, symbolizing imprisonment. This motif aligns perfectly with the title "Visiting the Imprisoned" suggesting that this man may be visiting someone held captive within these walls. Surrounding him are various objects such as buckets and other tools commonly found during that period. These details add depth and authenticity to our understanding of daily life during those times. As we delve deeper into this photograph's historical context, it becomes clear how it encapsulates not only individual aspects but also broader societal dynamics prevalent throughout Europe during the first and second millennium A. D. . Brogi's masterful capture allows us modern viewers to appreciate not just one artist's work but an entire era defined by its artistic achievements – truly bridging the gap between past and present.
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