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Side view of the Cathedral of the Holy Virgin Mary of the Assumption, Palermo
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Side view of the Cathedral of the Holy Virgin Mary of the Assumption, Palermo
Side view of the Cathedral of the Holy Virgin Mary of the Assumption, Palermo Palermo Church Norman style, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890-1910. Date of Artwork:1184, 1429-1430, 1781-1801. Artist:Fuga, Ferdinando, Gambara, Antonio
Unidentified Author
FVQ-F-092944-0000
Media ID 33293772
© Alinari Archives, Florence
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EDITORS COMMENTS
This photo print, titled "FVQ-F-092944-0000" offers a mesmerizing side view of the Cathedral of the Holy Virgin Mary of the Assumption in Palermo. The image transports us back to a bygone era, captured between 1890 and 1910. The skilled artists behind this remarkable artwork are Ferdinando Fuga and Antonio Gambara, who beautifully depict the architectural grandeur that dates back centuries. The cathedral itself has a rich history, with construction beginning as early as 1184 and various additions made throughout the years until its completion in 1801. In this photograph, we witness not only the magnificence of religious devotion but also an intriguing blend of nature's elements. A palm tree gracefully stands tall beside the cathedral's bell tower, symbolizing life and growth amidst spiritual sanctity. This juxtaposition highlights both man-made structures and Mother Nature's beauty coexisting harmoniously. As our eyes explore further into this composition, we notice intricate statues adorning the church facade—a testament to exceptional craftsmanship that has stood against time's relentless passage. Beyond these sacred sculptures lies a breathtaking panoramic view of Palermo cityscape—an invitation for contemplation within an urban tapestry. The inclusion of vegetal elements adds another layer to this visual narrative—perhaps reminding us that even in places dedicated solely to faith, nature finds its way through cracks in stone walls or reaches out from nearby gardens. Although attributed to an unidentified author from Alinari, this evocative print speaks volumes about human creativity merging with divine inspiration while paying homage to both architectural marvels and natural wonders alike.
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