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The tomb of Gianni Caracciolo, Grand Seneschal of the Kingdom of Naples, located in the Caracciolo del Sole Chapel in the church of San Giovanni a Carbonara, Naples

The tomb of Gianni Caracciolo, Grand Seneschal of the Kingdom of Naples, located in the Caracciolo del Sole Chapel in the church of San Giovanni a Carbonara, Naples


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The tomb of Gianni Caracciolo, Grand Seneschal of the Kingdom of Naples, located in the Caracciolo del Sole Chapel in the church of San Giovanni a Carbonara, Naples

The tomb of Gianni Caracciolo, Grand Seneschal of the Kingdom of Naples, located in the Caracciolo del Sole Chapel in the church of San Giovanni a Carbonara, Naples Naples Church of San Giovanni a Carbonara, Caracciolo del Sole Chapel Tomb Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1433. Artist:Andrea da Firenze, Andrea Bonaiuti, known as (active 1346, died 1379)

Alinari, Fratelli
ACA-F-033891-0000

Media ID 33117156

© Alinari Archives, Florence

And Monarchies And National States Armor Female Figure Inscription Italy Kingdom Of Sicily Naples Laurel Wreath Maleearly Renaissance Medieval History Subjects Nobility Of The Nobility Person And Social Status Political Figure Politician Principalities And Kingdoms Soldier Abstract Concept And Symbol Society And Politics Type Of Representation


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> Abstract Art > Painting > Related Images

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> Arts > Minimalist artwork > Abstract art > Fine art


EDITORS COMMENTS
The Tomb of Gianni Caracciolo: A Glimpse into Renaissance Nobility and Political Power in Naples This print captures the grandeur and historical significance of the tomb of Gianni Caracciolo, Grand Seneschal of the Kingdom of Naples. Located within the Caracciolo del Sole Chapel in the church of San Giovanni a Carbonara, Naples, this magnificent artwork is a testament to both artistic mastery and political influence. Dating back to 1433, this early Renaissance masterpiece was created by renowned artists Andrea da Firenze and Andrea Bonaiuti. Their collaborative effort seamlessly blends elements from Renaissance-Baroque styles, resulting in an exquisite representation that stands as a symbol of European artistry during the First and Second Millennium A. D. The photograph itself was taken between 1920-1930, allowing us to appreciate not only the intricate details but also how time has gracefully weathered this remarkable piece. The inscription on the tomb adds an air of mystery while highlighting its historical importance. Within this image lies a rich tapestry of symbolism: from laurel wreaths representing victory to soldiers adorned in armor signifying strength and power. The presence of angels further elevates its spiritual essence. Beyond its artistic value, this tomb serves as a reminder of Italy's complex political landscape during medieval times. It sheds light on principalities, kingdoms, monarchies, and national states that shaped Europe's history. As we gaze upon this print by Alinari Fratelli - masters at capturing cultural heritage - we are transported back in time. We witness not just an impressive workmanship but also gain insight into society's fascination with power dynamics through representations like politicians donning period costumes. In conclusion, "The Tomb of Gianni Caracciolo" encapsulates centuries' worth of history within one frame. It invites us to explore themes such as nobility, politics, religion while marveling at Europe's artistic achievements during the Renaissance and beyond.

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