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Study of caricatures, pen and sanguine drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Study of caricatures, pen and sanguine drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor


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Study of caricatures, pen and sanguine drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor

Study of caricatures, pen and sanguine drawing on white paper by Leonardo da Vinci and preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2001. Date of Artwork:1470-1519 ca.. Artist:Leonardo da Vinci (1452-1519)

PDP-S-000007-0318

Media ID 33195089

© Alinari Archives, Florence

Caricature And Satire Facehigh Renaissance Hair Nose Old Age Person Figure Headdress Civilian Parts Of The Body Type Of Representation


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EDITORS COMMENTS
This print showcases Leonardo da Vinci's "Study of caricatures" a remarkable pen and sanguine drawing on white paper that is currently preserved at the Royal Library of Windsor. Created during the High Renaissance period, this artwork reflects the artist's mastery in capturing various styles and periods, including Renaissance and Renaissance-Baroque. Dating back to around 1470-1519, Leonardo da Vinci's study explores the fascinating world of caricature and satire. In this particular piece, he skillfully portrays individuals from different walks of life - civilians, military personnel, religious figures - each adorned with unique accessories and clothing that reflect their social status. The intricate hairstyles and hairdos further emphasize his attention to detail. The study also delves into physiological aspects by examining parts of the human body such as noses and faces. Through his meticulous strokes, da Vinci captures not only physical features but also hints at psychological characteristics that define each person portrayed. As one gazes upon this extraordinary artwork, it becomes evident how Leonardo da Vinci was able to transcend time with his artistic genius. This image transports us back to Europe during the first and second millennium A. D. , allowing us to witness firsthand the beauty of both high renaissance artistry and renaissance-baroque influences. Alinari has expertly captured this masterpiece through photography in 2001; their dedication ensures that future generations can appreciate its magnificence without any commercial intentions or affiliations overshadowing its significance.

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Related Images


Reflections on the characteristic of some different war instruments, writings from the Codex Forster II, c.8r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London
Reflections on the characteristic of some different war instruments, writings from the Codex Forster II, c.8r, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London
A bombard, activated by a water mechanism, drawing by Leonardo da Vinci, part of the Codex B (2173), c.34r, housed at the Institut de France, Paris
A bombard, activated by a water mechanism, drawing by Leonardo da Vinci, part of the Codex B (2173), c.34r, housed at the Institut de France, Paris

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