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Statue of the Apollo Sauroctonos, roman copy of a bronze original by Praxitiles, in the Vatican Museums

Statue of the Apollo Sauroctonos, roman copy of a bronze original by Praxitiles, in the Vatican Museums


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Statue of the Apollo Sauroctonos, roman copy of a bronze original by Praxitiles, in the Vatican Museums

Statue of the Apollo Sauroctonos, roman copy of a bronze original by Praxitiles, in the Vatican Museums Statue Roman Art, Europe, Ancient Civilization. Date of Photograph:1870-1880 ca.. Date of Artwork:370 a.C. ca

Mang, Michele
MFC-A-004674-0047

Media ID 33264149

© Alinari Archives, Florence

Apollo Divinity Lizard Reptiles Trunkroman Art Greco Roman Vegetal Element Or Composition


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> Animals > Reptiles > Lizards > Related Images

> Historic > Ancient civilizations

> Popular Themes > Human Body


EDITORS COMMENTS
This photo print, titled "MFC-A-004674-0047" transports us to the enchanting halls of the Vatican Museums. The focal point of this image is none other than the magnificent Statue of Apollo Sauroctonos, a Roman copy that pays homage to Praxitiles' original bronze masterpiece. Captured during the late 19th century, around 1870-1880, this photograph allows us to witness an artwork that dates back even further in time - approximately 370 BC. Standing proudly within The Pio Clementine Museum in the State of Vatican City, this statue exudes an aura of divinity and grace. The male figure depicted here is none other than Apollo himself – a prominent deity in Greco-Roman mythology. Strikingly nude and showcasing his perfectly sculpted human body, he holds our gaze with an air of confidence and power. Surrounding him are elements from nature; lush vegetation intertwines with his form, creating a harmonious composition. As we delve deeper into this mesmerizing print by Michele Mang from Alinari, we cannot help but be drawn towards the intricate details present throughout. From every sinewy muscle on Apollo's physique to each delicate leaf adorning his surroundings – there is an undeniable sense of artistry at play. Beyond its aesthetic appeal lies a symbolic narrative: Apollo's association with reptiles becomes apparent as a lizard rests upon his trunk-like base. This juxtaposition between divine beauty and earthly creatures invites contemplation on themes such as transformation and interconnectedness. In conclusion, Mang's skillful photography captures not only a remarkable piece of ancient art but also evokes emotions tied to mythology and nature itself. This print serves as both a visual feast for the eyes and a gateway into exploring profound concepts that have fascinated humanity for centuries

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