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Sphinx of Giza
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Sphinx of Giza
Sphinx of Giza Egypt Giza Sphinx Fourth Dynasty, Old Kingdom, Egypt - Egyptian Art, Africa, Ancient Civilization. Date of Photograph:1850. Date of Artwork:2630-2510 a. C
Du Champ, Maxime
FVQ-F-206115-0000
Media ID 33304987
© Alinari Archives, Florence
Africa Egyptian Female Characters Hybrid Figure Literature And Fiction Old Kingdom Sphinxfourth Dynasty
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EDITORS COMMENTS
This print showcases the iconic Sphinx of Giza, a symbol of ancient Egyptian civilization and mythology. The photograph, taken in 1850 by Maxime Du Champ, captures the majestic beauty and enigmatic allure of this extraordinary monument. The Sphinx stands proudly against the backdrop of Egypt's Giza plateau, its weathered limestone bearing witness to centuries gone by. This female character with a lion's body and human head has fascinated scholars and visitors alike since its creation during the Fourth Dynasty of the Old Kingdom (2630-2510 BC). As we gaze upon this remarkable artwork through Du Champ's lens, we are transported back in time to an era when pharaohs ruled over vast lands and divine beings were worshipped as deities. The intricate details carved into the Sphinx's face reveal a sense of mystery and wisdom that have captivated imaginations for millennia. The hybrid figure depicted here embodies both strength and grace, reflecting the duality often found in Egyptian art. Its presence evokes tales from ancient literature and fiction where mythical creatures played significant roles in shaping narratives. Beyond its artistic significance, this photograph also serves as a testament to Africa's rich cultural heritage. It reminds us of Egypt's pivotal role as one of Africa's oldest civilizations, contributing greatly to our understanding of ancient history. Du Champ masterfully captures not only the physical grandeur but also the spiritual essence embodied by this timeless masterpiece. Through his lens, he invites us to delve deeper into our collective past while marveling at humanity’s ability to create enduring works that transcend time itself.
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