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Silver base for the statue of St. Massimo. Work located in the vestry of the Cathedral of L'Aquila. Circular structure decorated with geometric and plant designs, small cupped niches enclosing statuettes (one of which represents the Madonna with Child) and two medallions with animals are visible
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Silver base for the statue of St. Massimo. Work located in the vestry of the Cathedral of L'Aquila. Circular structure decorated with geometric and plant designs, small cupped niches enclosing statuettes (one of which represents the Madonna with Child) and two medallions with animals are visible
Silver base for the statue of St. Massimo. Work located in the vestry of the Cathedral of L'Aquila. Circular structure decorated with geometric and plant designs, small cupped niches enclosing statuettes (one of which represents the Madonna with Child) and two medallions with animals are visible. L'Aquila Cathedral Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920 - 1930 ca.. Date of Artwork:1381 - 1461 ca.. Artist:Nicola da Guardiagrele
Alinari, Fratelli
ACA-F-036146-0000
Media ID 33144875
© Alinari Archives, Florence
Brand Crest Life And Representations Of The Virgin Madonna And Child Emblem Subject
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EDITORS COMMENTS
This photograph captures a remarkable piece of artistry - the silver base for the statue of St. Massimo, located in the vestry of the Cathedral of L'Aquila. Dating back to the early Renaissance period, this circular structure is adorned with intricate geometric and plant designs that showcase the exquisite craftsmanship of its creator, Nicola da Guardiagrele. As we delve into the details, our eyes are drawn to small cupped niches that enclose delicate statuettes. Among them stands one representing the Madonna with Child, a powerful symbol of devotion and motherly love. The artist's attention to detail is further highlighted by two medallions featuring animals, adding an element of whimsy amidst religious symbolism. The low relief bas-relief technique employed here brings depth and dimension to this masterpiece. Its historical significance cannot be overlooked as it represents not only early Renaissance art but also elements from both Renaissance-Baroque styles and periods. Stepping back in time through this photograph taken between 1920-1930 allows us to appreciate how European art has evolved over centuries. This artwork itself dates back even further, created between 1381-1461 during a period when Europe was undergoing significant cultural transformations. The presence of biblical references intertwined with fashion and clothing serves as a reminder that religion played an integral role in shaping society during these times. The vegetation depicted adds a touch of natural beauty while crests and emblems hint at noble patronage or perhaps even political affiliations. Alinari Fratelli's skillful photography preserves this extraordinary work for generations to come, allowing us to marvel at its intricacy and appreciate its historical context within European art history.
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