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Seated naked man. Drawing by Pontormo preserved in the Room of Drawings and Prints in the Gallery of the Uffizi

Seated naked man. Drawing by Pontormo preserved in the Room of Drawings and Prints in the Gallery of the Uffizi


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Seated naked man. Drawing by Pontormo preserved in the Room of Drawings and Prints in the Gallery of the Uffizi

Seated naked man. Drawing by Pontormo preserved in the Room of Drawings and Prints in the Gallery of the Uffizi Florence Uffizi, Gabinetto dei disegni e delle stampe Drawing Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910 ca. Date of Artwork:1514-1556 ca.. Artist:Pontormo, Jacopo Carrucci, known as (1494-1557)

Mannelli, Anchise & C.
MAA-F-006645-0000

Media ID 33184832

© Alinari Archives, Florence

Facemannerism Hair Hand Nose Parts Of The Body


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Mannerism

> Arts > Art Movements > Renaissance Art

> Arts > Artists > P > Jacopo Pontormo

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art

> Historical artwork

> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures a timeless masterpiece, the "Seated naked man" drawing by Pontormo. Preserved in the Room of Drawings and Prints in the prestigious Gallery of the Uffizi, Florence, this artwork is a testament to the genius of Jacopo Carrucci, also known as Pontormo. The image showcases a male figure seated in all his naked glory. Every stroke of Pontormo's skilled hand brings life to this exquisite portrayal of the human body. The artist's meticulous attention to detail is evident in every aspect - from the intricate rendering of hair strands to the piercing gaze emanating from expressive eyes and finely sculpted nose. Dating back to around 1514-1556, during Europe's Mannerism period that bridged Renaissance and Baroque styles, this drawing exemplifies both artistic movements' unique characteristics. It serves as a visual representation of an era marked by innovation and experimentation. Photographed around 1910 by Anchise & C. Mannelli from Alinari, this print allows us to admire Pontormo's work even if we cannot witness it firsthand at Uffizi Gallery today. Through their lens, they have captured not only an artwork but also its historical significance within European art history spanning over two millennia. As we contemplate this remarkable piece, let us appreciate how it transcends time and space; reminding us that true artistry knows no boundaries or limitations.

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