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Saint John the Evangelist, marble, Donato di Niccol di Betto Bardi known as Donatello (1386-1466), Museum of The Opera del Duomo of Santa Maria del Fiore, Florence

Saint John the Evangelist, marble, Donato di Niccol di Betto Bardi known as Donatello (1386-1466), Museum of The Opera del Duomo of Santa Maria del Fiore, Florence


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Saint John the Evangelist, marble, Donato di Niccol di Betto Bardi known as Donatello (1386-1466), Museum of The Opera del Duomo of Santa Maria del Fiore, Florence

Saint John the Evangelist, marble, Donato di Niccol di Betto Bardi known as Donatello (1386-1466), Museum of The Opera del Duomo of Santa Maria del Fiore, Florence Florence Museum of The Opera del Duomo of S. Maria del Fiore Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1938 ca.. Date of Artwork:1400-1466. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-063649-0000

Media ID 33121761

© Alinari Archives, Florence

Evangelist John John The Evangelist Portraitearly Renaissance Christian Religion Parts Of The Body


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> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures the timeless beauty of "Saint John the Evangelist" a marble sculpture created by Donato di Niccol di Betto Bardi, famously known as Donatello. Housed in the prestigious Museum of The Opera del Duomo of Santa Maria del Fiore in Florence, Italy, this masterpiece is a testament to the artist's unparalleled skill and mastery. Donatello's Saint John stands tall and proud, his serene expression exuding an air of wisdom and spirituality. Every intricate detail is flawlessly captured in this photograph by Alinari, Fratelli - from the delicate features on his face to the carefully sculpted muscles that define his nude body. This artwork showcases both the early Renaissance style that influenced its creation and hints at elements of Renaissance-Baroque styles that would emerge later. As one gazes upon this image, it becomes evident why Donatello was considered one of the greatest sculptors of his time. His ability to breathe life into stone is truly remarkable; he transforms cold marble into a living representation of Saint John himself. The significance of Saint John as an evangelist within Christian religion cannot be understated. He played a crucial role in spreading Jesus' teachings through his writings in the New Testament Bible. This sculpture serves as a visual reminder not only of Saint John's importance but also highlights how art has been used throughout history to convey religious messages. Dating back to 1400-1466, this artwork holds immense historical value as it represents Europe during its transition from medieval times into periods marked by cultural rebirth and artistic innovation. It stands proudly among other masterpieces within Florence's renowned museum collection – each piece telling its own unique story about humanity's journey through time. In summary, Alinari's photograph allows us to appreciate Donatello’s extraordinary craftsmanship while capturing our imagination with its portrayal of "Saint John the Evangelist". It invites us to delve into the rich tapestry of European art history and marvel at the timeless beauty that

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