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Preparatory study for the Presentation of the Virgin at the temple. Drawing by Federico Barocci preserved in the Room of Drawings and Prints in the Gallery of the Uffizi
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Preparatory study for the Presentation of the Virgin at the temple. Drawing by Federico Barocci preserved in the Room of Drawings and Prints in the Gallery of the Uffizi
Preparatory study for the Presentation of the Virgin at the temple. Drawing by Federico Barocci preserved in the Room of Drawings and Prints in the Gallery of the Uffizi. Florence Uffizi, Room of Drawings and Prints Drawing Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910. Date of Artwork:1548-1612 ca.. Artist:Barocci, Federico Fiori, known as (1528-1612)
Mannelli, Anchise & C.
MAA-F-011434-0000
Media ID 33187113
© Alinari Archives, Florence
Catholicism Emotional Bond Human Psychology Life And Representations Of The Virgin Prayer Presentation In The Temple Pyschological Behavior Christian Religion Headdress Civilian Subject
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EDITORS COMMENTS
This photograph captures a moment frozen in time, showcasing the preparatory study for Federico Barocci's renowned artwork, "Preparation of the Virgin at the Temple". Preserved within the Room of Drawings and Prints in the prestigious Gallery of Uffizi, this drawing is a testament to Barocci's artistic genius. The image reveals intricate details that highlight both emotional bonds and psychological behaviors. It delves into human psychology through its depiction of individuals engaged in prayer and contemplation. The subject matter revolves around the life and representations of the Virgin Mary, an iconic figure in Christian religion. The headdresses worn by various figures offer insight into their civilian, military, or religious roles. Fashion and clothing choices further emphasize societal norms during late Renaissance Europe. This drawing serves as a window into an era where every accessory held significance beyond mere aesthetics. As we explore this scene from Catholicism's rich history, we are reminded of how art can capture not only physical objects but also spiritual devotion. The artist skillfully portrays physiological and psychological aspects through his mastery of Renaissance-Baroque styles. Drawing inspiration from biblical narratives found in the New Testament, Barocci brings together elements from different periods spanning over two millennia. His work seamlessly blends late Renaissance techniques with those characteristic of earlier times. Through this photograph by Anchise & C. Mannelli from Alinari taken in 1910, viewers are transported back to witness Federico Barocci's creative process firsthand. It invites us to appreciate not just his technical prowess but also his ability to evoke deep emotions through visual storytelling – making it an invaluable piece within Uffizi's collection.
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