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Portrait of Pauline Bonaparte as Venus Victrix, white marble, Antonio Canova (1757-1822), Galleria Borghese, Rome
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Portrait of Pauline Bonaparte as Venus Victrix, white marble, Antonio Canova (1757-1822), Galleria Borghese, Rome
Portrait of Pauline Bonaparte as Venus Victrix, white marble, Antonio Canova (1757-1822), Galleria Borghese, Rome Rome The Borghese Gallery Statue Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1805 -1808. Artist:Canova Antonio (1757-1822)
Alinari, Fratelli
ACA-F-006816-0000
Media ID 33109959
© Alinari Archives, Florence
Aphrodite Venus Apple Bracelet Breast Divinity Drapery Farming And Country Life Fruit Italy Litter Modern History Of Nations Nobility Of The Nobilityneoclassicism Peoples Pillow Product Stretcher Territories Vegetable Abstract Concept And Symbol Greco Roman Of Famous Persons Parts Of The Body Type Of Representation
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EDITORS COMMENTS
This print captures the timeless beauty of "Portrait of Pauline Bonaparte as Venus Victrix" by Antonio Canova. The exquisite white marble statue, housed in the prestigious Galleria Borghese in Rome, is a masterpiece of Neoclassicism from the 19th century. Taken around 1890, this photograph showcases the remarkable craftsmanship and attention to detail that Canova infused into his work. The sculpture depicts Pauline Bonaparte, sister of Napoleon Bonaparte, embodying the goddess Venus with elegance and grace. Her flowing hairdo and intricate bracelet add a touch of sophistication to her divine presence. The image highlights not only the artistic brilliance but also the historical significance behind this piece. It represents an allegory for love and beauty while paying homage to ancient Greco-Roman mythology. Through its portrayal of famous individuals like Pauline Bonaparte, it offers insight into Italy's modern history during this period. Surrounded by lush vegetation and resting on a pillow-covered litter or stretcher, Pauline exudes nobility befitting her status as part of Europe's aristocracy in the 19th century. Her exposed breast symbolizes both femininity and divinity, further emphasizing her connection to Aphrodite or Venus. Photographed by Alinari Fratelli using their expert eye for composition and lighting techniques, this print preserves every intricate detail captured within Canova's masterpiece. It serves as a testament to both artistry and history—a window into Italy's rich cultural heritage spanning centuries. Whether admired for its aesthetic appeal or appreciated for its historical context, this print invites viewers to delve into an era where mythological figures seamlessly intertwine with real-life personalities—creating an enduring legacy that continues to captivate audiences worldwide.
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