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Piet by Michelangelo, St. Peter's Basilica

Piet by Michelangelo, St. Peter's Basilica


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Piet by Michelangelo, St. Peter's Basilica

Piet by Michelangelo, St. Peter's Basilica State of the Vatican City St. Peter's Basilica Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1498-1499. Artist:Buonarroti Michelangelo (1475-1564)

Alinari, Fratelli
ACA-F-005948-0000

Media ID 33109693

© Alinari Archives, Florence

Death Human Psychology Intimate Jesus Christ Christ Child Life And Representations Of The Virgin Life Of Christ Loincloth Malehigh Renaissance Melancholy Sadness Pyschological Behavior Virgin Mary Abstract Concept And Symbol Concept Or Subject Expressed Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Artists > Michelangelo Buonarroti > High Renaissance art

> Arts > Artists > Michelangelo Buonarroti > Renaissance art

> Arts > Artists > Michelangelo Buonarroti > Vatican City

> Arts > Artists > Michelangelo > Florence, Italy

> Arts > Artists > Michelangelo > High Renaissance

> Arts > Artists > Michelangelo > Renaissance art

> Arts > Artists > Michelangelo > Vatican City

> Arts > Artists > Michelangelo


EDITORS COMMENTS
This photograph captures the iconic sculpture "Piet" by Michelangelo, located in the grandeur of St. Peter's Basilica in the Vatican City. The artwork itself dates back to 1498-1499 and was created by the renowned artist Buonarroti Michelangelo. The image showcases this masterpiece from a unique perspective, allowing us to appreciate its intricate details and profound symbolism. The sculpture depicts the lifeless body of Jesus Christ cradled in the arms of his grieving mother, Virgin Mary. It is a poignant representation of death, allegory, and abstract concepts that evoke deep emotions within viewers. Michelangelo's meticulous craftsmanship is evident through every contour and fold of clothing adorning both figures. The loincloth draped over Christ's body adds an intimate touch while emphasizing his vulnerability as a human being. As we delve into this photograph further, it becomes apparent that it not only explores physical aspects but also delves into psychological behavior and human psychology. Melancholy sadness resonates from both Mary's face and her son's lifeless form, reflecting their emotional journey throughout biblical narratives found in the New Testament. The juxtaposition between Renaissance-Baroque styles highlights Europe's artistic evolution during the first and second millenniums A. D. , showcasing how these periods influenced Michelangelo’s work. Captured around 1890 by Alinari Fratelli, this print serves as a timeless reminder of artistry transcending time itself. It invites contemplation on themes such as life representations of Virgin Mary or even individual physiological and psychological aspects related to age or melancholy. In conclusion, this photograph immortalizes one of history’s greatest masterpieces while inviting us to explore its multifaceted layers: from religious iconography to human emotion captured with remarkable precision by Michelangelo himself.

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