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Mourning over the Dead Christ and Descent into Limbo, high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia
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Mourning over the Dead Christ and Descent into Limbo, high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia
Mourning over the Dead Christ and Descent into Limbo, high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia Pistoia Church of Saint John Fuorcivitas High Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1270 ca.. Artist:Fra Guglielmo da Pisa
Alinari, Fratelli
ACA-F-010203-0000
Media ID 33111048
© Alinari Archives, Florence
Apostles Bible Old Testament Death Devil Hell Jesus Christ Christ Child Life Of Christ Limbo Mary Magdalengothic People Soldier Theological Subject Virgin Mary Women Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Subject
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EDITORS COMMENTS
This photograph captures the intricate beauty of "Mourning over the Dead Christ and Descent into Limbo" high reliefs created by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia. The image, taken around 1890, showcases the remarkable craftsmanship and artistic genius that flourished during the Gothic period in Europe. The high reliefs depict a profound scene from Christian theology, showcasing both an allegory and abstract concept surrounding death. In this poignant moment frozen in time, we witness a group of figures mourning over the lifeless body of Christ. The artist's attention to detail is evident as each individual's grief-stricken expression is skillfully carved into stone. Amongst those present are soldiers, apostles, men, women, and even Virgin Mary herself. This diverse array of characters adds depth to this powerful portrayal of human emotion and faith. Additionally, elements from both Old Testament biblical stories and New Testament teachings can be found within these masterful reliefs. The inclusion of theological subjects such as hell and limbo further emphasizes the spiritual significance conveyed through this artwork. It serves as a reminder not only of religious beliefs but also explores physiological and psychological aspects associated with death. As we gaze upon this mesmerizing print captured by Alinari Fratelli nearly 130 years ago, we are transported back to a time when art was used as a medium to express deep devotion towards Christianity. These high reliefs continue to stand tall within their original setting at Pistoia Church today - testaments to Fra Guglielmo da Pisa's enduring legacy as an exceptional sculptor during the Middle Ages in Europe.
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