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Monumento to Cardinal Antionio Venier, work attributed to the circle of Isaia da Pisa, basilica of San Clemente in Rome
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Monumento to Cardinal Antionio Venier, work attributed to the circle of Isaia da Pisa, basilica of San Clemente in Rome
Monumento to Cardinal Antionio Venier, work attributed to the circle of Isaia da Pisa, basilica of San Clemente in Rome. Rome Basilica of S. Clemente, left nave Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1479 ca.. Artist:Isaia da Pisa, school
Anderson
ADA-F-000698-0000
Media ID 33143519
© Alinari Archives, Florence
Brand Cardinal Clergy Coat Of Arms Crest Death Frieze Inscription Life And Representations Of The Virgin Madonna And Child With Saints Pilaster Strip Sarcophagus Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Emblem Subject
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EDITORS COMMENTS
This print showcases the magnificent Monumento to Cardinal Antonio Venier, a work attributed to the circle of Isaia da Pisa, located in the basilica of San Clemente in Rome. The photograph was taken around 1890, while the artwork itself dates back to approximately 1479 during the Early Renaissance period. The monument is a true testament to the rich history and artistic brilliance that flourished throughout Europe during this time. It seamlessly combines elements from various styles and periods such as Renaissance and Renaissance-Baroque, creating a visually stunning masterpiece. Upon closer inspection, one can observe intricate details meticulously carved into every inch of this funerary monument. From allegorical representations to abstract concepts and symbols, each element tells its own story. The arches, columns, friezes, and pilaster strips add architectural grandeur while also serving as decorative elements. The sculpture prominently features figures including angels and Madonna with child surrounded by saints. These representations depict important aspects of Christian religion and life. Additionally, there are references to Cardinals and clergy members through coats of arms adorning the structure. As we delve deeper into this print by Anderson from Alinari's collection, we cannot help but marvel at how it captures not only the physical attributes but also conveys an array of emotions associated with death and spirituality. Overall, this image serves as a window into a significant era in art history - where individual expression met religious devotion - leaving us captivated by its beauty for generations to come.
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