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The monument to the Doge Francesco Foscari, by Antonio and Paolo Bregno; in the upper part, the Cardinal Virtues can be seen next to the reclining figure of the deceased, and, in the lower part, the Theological Virtues. Church of Santa Maria Gloriosa dei Frari, Venice

The monument to the Doge Francesco Foscari, by Antonio and Paolo Bregno; in the upper part, the Cardinal Virtues can be seen next to the reclining figure of the deceased, and, in the lower part, the Theological Virtues. Church of Santa Maria Gloriosa dei Frari, Venice


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The monument to the Doge Francesco Foscari, by Antonio and Paolo Bregno; in the upper part, the Cardinal Virtues can be seen next to the reclining figure of the deceased, and, in the lower part, the Theological Virtues. Church of Santa Maria Gloriosa dei Frari, Venice

The monument to the Doge Francesco Foscari, by Antonio and Paolo Bregno; in the upper part, the Cardinal Virtues can be seen next to the reclining figure of the deceased, and, in the lower part, the Theological Virtues. Church of Santa Maria Gloriosa dei Frari, Venice Venice Church of Santa Maria Gloriosa dei Frari Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:XV sec.. Artist:Bregno, Andrea, Bregno, Paolo

Alinari, Fratelli
ACA-F-018501-0000

Media ID 33131759

© Alinari Archives, Florence

Death Female Figure Nobility Of The Nobilityearly Renaissance Pillow Sarcophagus Tent Virtue Abstract Concept And Symbol Concept Or Subject Expressed Type Of Representation


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EDITORS COMMENTS
This print captures the magnificent monument to the Doge Francesco Foscari, created by Antonio and Paolo Bregno. Located in the Church of Santa Maria Gloriosa dei Frari in Venice, this stunning artwork showcases both the Early Renaissance and Renaissance-Baroque styles. In the upper part of the monument, we are greeted by a sight that exudes grace and virtue. The reclining figure of Doge Francesco Foscari rests peacefully alongside representations of the Cardinal Virtues. These virtues stand tall, symbolizing moral excellence and righteousness. Their presence next to the deceased doge serves as a reminder of his virtuous character during his lifetime. Moving our gaze downward, we encounter another layer of symbolism within this masterpiece. Here, we find depictions of Theological Virtues - faith, hope, and charity - which represent spiritual values deeply cherished by society at that time. The composition is meticulously crafted with intricate details that showcase exceptional skill and artistry. From every angle, one can appreciate how each element harmoniously contributes to conveying a sense of nobility and reverence for Doge Foscari's memory. This photograph was taken between 1915-1920 but depicts an artwork from XV century Italy when Andrea Bregno collaborated with his son Paolo on this remarkable sculpture. It is evident that their collaboration resulted in a timeless piece that continues to captivate viewers even centuries later. Through Alinari's lens, we are granted an opportunity to witness not only a work of art but also glimpses into history - Europe during its first millenniums AD – where concepts such as virtue were highly valued across various artistic periods like Renaissance-Baroque styles. Overall, this print invites us into a world where beauty intertwines with spirituality while paying homage to an esteemed leader whose legacy lives on through this extraordinary funerary monument.

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