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The three Maries at the Sepulcher and the Flagellation. Detail of the bas-relief with the Evangelical Stories, by Lorenzo Maitani in the third pillar of the facade of the cathedral of the Assunta in Orvieto
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The three Maries at the Sepulcher and the Flagellation. Detail of the bas-relief with the Evangelical Stories, by Lorenzo Maitani in the third pillar of the facade of the cathedral of the Assunta in Orvieto
The three Maries at the Sepulcher and the Flagellation. Detail of the bas-relief with the Evangelical Stories, by Lorenzo Maitani in the third pillar of the facade of the cathedral of the Assunta in Orvieto Orvieto Low Relief, Basrelief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1320 - 1330 ca.. Artist:Maitani, Lorenzo
Alinari, Fratelli
ACA-F-04951E-0000
Media ID 33109549
© Alinari Archives, Florence
Acanthusgothic Bible Old Testament Flagellation Herbaceous Jesus Christ Christ Child Life And Representations Of The Virgin Life Of Christ People Prophets Sepulchre Structure Or Place Virgin Mary Subject
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EDITORS COMMENTS
This photograph captures a mesmerizing detail of the bas-relief with the Evangelical Stories, created by the talented artist Lorenzo Maitani in the third pillar of the facade of the cathedral of Assunta in Orvieto. The focal point of this print is "The three Maries at the Sepulcher and the Flagellation" showcasing an exquisite moment from biblical history. Intricately carved during the Gothic period, this low relief transports us back to Europe's Middle Ages, immersing us in its rich cultural heritage. The scene depicts prophets, people, and figures surrounding Virgin Mary as she mourns at Christ's sepulcher. An angel stands nearby, offering solace amidst her grief. Lorenzo Maitani's masterful craftsmanship breathes life into each character portrayed on this stone canvas. Their expressions convey deep emotions that resonate with viewers even after centuries have passed. This artwork serves as a testament to Maitani's skill in capturing human sentiment through his chisel strokes. The composition is further enhanced by herbaceous plants and vegetation intricately woven into every corner of this masterpiece. Acanthus leaves adorn architectural elements, symbolizing growth and resilience—a common motif during this era. Dating back to 1320-1330 AD. , "The three Maries at the Sepulcher and Flagellation" represents a pivotal moment in Christian history—the flagellation marking Jesus Christ's suffering before crucifixion while also highlighting Mary Magdalene, Mary Cleophas, and Salome discovering Christ's empty tomb following his resurrection. Alinari Fratelli beautifully captured this timeless artwork around 1890 AD. , preserving its intricate details for generations to come. This photograph allows us to appreciate not only Maitani’s artistic genius but also provides insight into religious devotion during medieval times—an invaluable glimpse into our shared past.
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