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Group in front of the Loggia del Capitaniato or the Loggia Bernarda, Vicenza
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Group in front of the Loggia del Capitaniato or the Loggia Bernarda, Vicenza
Group in front of the Loggia del Capitaniato or the Loggia Bernarda, Vicenza Vicenza Loggia High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1930 ca.. Date of Artwork:1571-1572. Artist:Palladio, Andrea di Pietro della Gondola, known as
Pasta, Fernando
PTA-S-001067-0031
Media ID 33196382
© Alinari Archives, Florence
Loggia Of A Grouphigh Renaissance Political Political Buildings
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EDITORS COMMENTS
This print transports us back in time to the enchanting city of Vicenza, Italy. Standing proudly in front of the Loggia del Capitaniato or the Loggia Bernarda, a group of individuals poses for the camera, their presence adding life and vibrancy to this architectural masterpiece. The Loggia del Capitaniato, also known as the Loggia Bernarda, is a testament to the genius of Andrea Palladio, one of history's most renowned architects. Built between 1571 and 1572 during the High Renaissance period, this magnificent structure showcases a harmonious blend of Renaissance and Baroque styles. Its grandeur reflects both political power and artistic brilliance. As we gaze upon this photograph captured around 1930 by Fernando Pasta from Alinari, we are reminded that architecture has always been an integral part of human civilization. The loggia itself serves not only as a housing structure but also as a symbol of political significance. The group portrayed here adds depth to our understanding of this historical moment. Their attire suggests they belong to high society or perhaps even hold positions within local government. They stand together with pride against the backdrop of intricate arches and columns that define Palladio's signature style. This image encapsulates centuries' worth of European history within its frame – from ancient times through both first and second millenniums A. D. , reaching all the way into modernity with its capture in 1930. It invites us to contemplate how artistry can transcend time while simultaneously reminding us that beauty exists in every era. In essence, Pasta's photograph captures not just an architectural marvel but also a glimpse into humanity's collective journey through time – where past meets present in perfect harmony.
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