Detail of the faade of the Scuola Grande di Santa Maria della Carit in Venice. There are three marble aedicules above the door, framing the Madonna being worshipped by St. Leonard and St. Christopher

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Detail of the faade of the Scuola Grande di Santa Maria della Carit in Venice. There are three marble aedicules above the door, framing the Madonna being worshipped by St. Leonard and St. Christopher

Detail of the faade of the Scuola Grande di Santa Maria della Carit in Venice. There are three marble aedicules above the door, framing the Madonna being worshipped by St. Leonard and St. Christopher Venice Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1377

Alinari, Fratelli
ACA-F-020824-0000

Media ID 33129969

© Alinari Archives, Florence

Gothic Virgin Mary Christian Religion

EDITORS COMMENTS
This print showcases a mesmerizing detail of the façade of the Scuola Grande di Santa Maria della Carità in Venice. The image transports us back to the late Gothic period, immersing us in the rich history and artistic grandeur of Europe during the Middle Ages. At first glance, our eyes are drawn to three exquisite marble aedicules gracefully positioned above the door. These architectural elements frame a divine scene that unfolds before us - the Madonna being worshipped by St. Leonard and St. Christopher. It is as if time stands still, allowing us to witness this sacred moment frozen in stone. The Virgin Mary takes center stage, radiating an aura of serenity and grace as she gazes upon her devoted followers with compassion and love. Dressed in ancient attire that reflects both her divinity and humanity, she embodies faithfulness and devotion. St. Leonard kneels beside her, his countenance filled with reverence for this holy encounter. His presence exudes humility and piety as he offers his prayers to the Madonna. On the other side stands St. Christopher, known for his legendary strength and protection of travelers across treacherous waters or difficult paths. He too pays homage to Mary with unwavering devotion etched on his face. This photograph captures not only a remarkable piece of art but also serves as a testament to centuries-old Christian religion deeply rooted in European culture during medieval times. As we delve into this visual masterpiece captured by Alinari Fratelli around 1920-1930 AD. , we are transported through time, connecting with our ancestors who found solace and inspiration within these hallowed walls adorned with such breathtaking beauty.

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