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Crucifixion study, drawing by Tintoretto preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome
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Crucifixion study, drawing by Tintoretto preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome
Crucifixion study, drawing by Tintoretto preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome Rome Corsini Gallery Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XVI sec. d.C.. Artist:Tintoretto, Jacopo Robusti, known as (1519-1594)
Anderson
ADA-F-002778-0000
Media ID 33156409
© Alinari Archives, Florence
Crosshigh Renaissance Crucifixion Life Of Christ Subject
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EDITORS COMMENTS
This print captures the essence of Tintoretto's "Crucifixion study" a remarkable drawing preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet) in Rome. The Corsini Gallery, renowned for its collection of High Renaissance and Renaissance-Baroque artworks, proudly displays this masterpiece. Dating back to the 16th century, Tintoretto's drawing showcases his exceptional talent and attention to detail. The artist, Jacopo Robusti, known as Tintoretto, was a prominent figure during the High Renaissance period. His portrayal of the crucifixion scene is both poignant and thought-provoking. The photograph itself was taken around 1890, allowing us to glimpse into history and witness this incredible artwork firsthand. It offers us a rare opportunity to appreciate Tintoretto's skillful use of light and shadow that brings depth and emotion to every stroke. The subject matter of this drawing centers around Christ's crucifixion—a significant event depicted throughout art history. As we delve into European culture from the first and second millennium A. D. , we encounter various styles such as High Renaissance and Renaissance-Baroque that have left an indelible mark on artistic expression. Anderson has expertly captured this momentous piece with precision, ensuring every intricate detail is visible for viewers to marvel at. This print serves as a testament not only to Tintoretto's genius but also to Anderson's ability to preserve historical treasures through photography. As we gaze upon this image, we are transported back in time—immersing ourselves in the beauty of religious iconography while appreciating the evolution of art across different periods. Let us cherish these glimpses into our rich cultural heritage that continue inspiring generations long after their creation.
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