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The copy of David of Michelangelo and the Perseus of Benvenuto Cellini, Piazza della Signoria, Florence

The copy of David of Michelangelo and the Perseus of Benvenuto Cellini, Piazza della Signoria, Florence


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The copy of David of Michelangelo and the Perseus of Benvenuto Cellini, Piazza della Signoria, Florence

The copy of David of Michelangelo and the Perseus of Benvenuto Cellini, Piazza della Signoria, Florence Florence Statue Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1927. Date of Artwork:1544-1554 ca.. Artist:Cellini Benvenuto (1500-1571)

Balocchi Vincenzo
BVA-S-000295-1734

Media ID 33174450

© Alinari Archives, Florence

Perseusmannerism Greco Roman


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Mannerism

> Arts > Art Movements > Renaissance Art

> Arts > Artists > Michelangelo Buonarroti > David (sculpture)

> Arts > Artists > Michelangelo Buonarroti > Renaissance art

> Arts > Artists > Michelangelo > David (sculpture)

> Arts > Artists > Michelangelo > Florence, Italy

> Arts > Artists > Michelangelo > Renaissance art

> Arts > Artists > Michelangelo

> Arts > Artists > R > Roman Roman


EDITORS COMMENTS
This print captures the essence of Renaissance-Baroque art in the heart of Florence's Piazza della Signoria. The focal point of the image is a remarkable juxtaposition between two iconic sculptures: Michelangelo's David and Benvenuto Cellini's Perseus. The copy of David, sculpted by Michelangelo himself, stands tall and proud, exuding strength and perfection. Its chiseled features and muscular physique showcase the mastery of Renaissance artistry. This timeless masterpiece has become an enduring symbol of human beauty and resilience. Beside David stands Perseus, created by Benvenuto Cellini during the same artistic era. In this depiction from Greco-Roman mythology, Perseus holds Medusa's severed head triumphantly above his own. The sculpture emanates a sense of heroism as it captures that decisive moment when good conquers evil. Both statues exemplify Mannerism, a style characterized by exaggerated proportions and dramatic poses that emerged during the late Renaissance period. Their presence in this bustling square transports viewers back to a time when Europe was experiencing profound cultural shifts. The photograph itself was taken in 1927 but immortalizes artwork dating back to approximately 1544-1554 AD. Through Balocchi Vincenzo's lens, we are transported across centuries to witness these magnificent sculptures firsthand. As we gaze upon this photo print, we are reminded not only of the incredible talent possessed by artists like Michelangelo and Cellini but also their lasting impact on European art history. It serves as a testament to their ability to capture human emotion with stone—a true celebration of creativity that continues to inspire generations today.

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