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Compassion: wooden group from the XV century in the Civic Museum of Novara
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Compassion: wooden group from the XV century in the Civic Museum of Novara
Compassion: wooden group from the XV century in the Civic Museum of Novara Novara Civic Musem Sculptural Group Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1959. Date of Artwork:XV sec
Alinari, Fratelli
ACA-F-053373-0000
Media ID 33119971
© Alinari Archives, Florence
Death Existential Concept Functions And Treatments For The Body Human Psychology Jesus Christ Christ Child John The Evangelist Life Of Christ Nicodemus Other Important Men Pain Passion Virgin Mary Christian Religion Subject
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EDITORS COMMENTS
This photograph captures a profound moment of compassion frozen in time. The wooden group, dating back to the 15th century, is showcased in all its Renaissance-Baroque glory within the Civic Museum of Novara. Its historical significance and artistic beauty transport viewers to an era long gone. The sculpture itself evokes a myriad of emotions as it depicts various figures from biblical narratives intertwined with human psychology and existential concepts. At the center stands the Virgin Mary, radiating empathy and tenderness towards those surrounding her. Nicodemus and other important men are present, their expressions reflecting both awe and sorrow. The subject matter revolves around the passion and life of Christ, highlighting themes such as death, age, pain, faith, and redemption. Each figure represents different aspects of humanity - male or female - showcasing physiological and psychological dimensions that make us who we are. As one gazes upon this masterpiece captured by Alinari Fratelli in 1959, they become immersed in the intricate details that bring these characters to life: St. John the Evangelist's contemplative gaze; Mary Magdalene's unwavering devotion; Christ child's innocence juxtaposed against his impending sacrifice. This photograph not only serves as a visual feast for art enthusiasts but also invites introspection into our own capacity for compassion. It reminds us that even amidst suffering or turmoil depicted here through religious symbolism - there exists an inherent need for understanding and kindness towards others. In essence, this image transcends time barriers by encapsulating centuries-old beliefs while resonating with contemporary audiences seeking solace in shared experiences across cultures throughout Europe's first two millennia AD.
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