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Christ laid in the tomb; close up of some bystanders; Donatello's pulpit, Basilica of San Lorenzo, Florence

Christ laid in the tomb; close up of some bystanders; Donatello's pulpit, Basilica of San Lorenzo, Florence


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Alinari

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Christ laid in the tomb; close up of some bystanders; Donatello's pulpit, Basilica of San Lorenzo, Florence

Christ laid in the tomb; close up of some bystanders; Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1938 ca.. Date of Artwork:1460-1466. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-062072-0000

Media ID 33121459

© Alinari Archives, Florence

Functions And Treatments For The Body Life Of Christ Maleearly Renaissance Pain Passion Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures a close-up of some bystanders surrounding the poignant scene of Christ laid in the tomb. The focal point of this image is Donatello's pulpit, located within the magnificent Basilica of San Lorenzo in Florence. Donatello, also known as Donato di Niccolò di Betto Bardi, was a renowned artist during the Early Renaissance period. His mastery is evident in this low relief artwork created between 1460 and 1466. The intricate details and emotional depth portrayed by Donatello truly bring this biblical subject to life. The composition showcases the physiological and psychological aspects of these individuals witnessing Christ's burial. Their expressions reveal a mixture of pain, sorrow, and contemplation as they come face to face with such a profound moment in history. As we delve into this piece further, it becomes apparent that it represents not only an individual event but also symbolizes the passion and life of Christ himself. This portrayal serves as a testament to the power that religious art held during the Renaissance-Baroque styles and periods. Dating back to approximately 1938, when this photograph was captured by Alinari Fratelli, it offers us a glimpse into both historical eras – capturing Europe's first millennium while showcasing an artwork from its second millennium. This print holds immense value for art enthusiasts seeking to explore early Renaissance masterpieces or those fascinated by European history throughout different time periods. It invites viewers on an introspective journey through faith, culture, and artistic expression that continues to resonate even today.

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