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The cell with the sarcophagus and the statue of the lying King, detail of the Monument to the King Ladislao; sculptural works preserved in the Church of San Giovanni a Carbonara, Naples
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The cell with the sarcophagus and the statue of the lying King, detail of the Monument to the King Ladislao; sculptural works preserved in the Church of San Giovanni a Carbonara, Naples
The cell with the sarcophagus and the statue of the lying King, detail of the Monument to the King Ladislao; sculptural works preserved in the Church of San Giovanni a Carbonara, Naples Naples Church of San Giovanni a Carbonara Commemorative Equestrian Monument Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1902. Date of Artwork:1428
Anderson
ADA-F-026147-0000
Media ID 33148384
© Alinari Archives, Florence
And Monarchies And National States Female Figure Gothic Horseback Italy John The Baptist King Emperor Kingdom Of Sicily Naples Medieval History Subjects Nobility Person And Social Status Political Figure Post Humous Principalities And Kingdoms Royal Imperiallate Gothic Spire Virtue Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Society And Politics Type Of Representation
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EDITORS COMMENTS
This photograph captures the intricate details of "The cell with the sarcophagus and the statue of the lying King" a remarkable part of the Monument to King Ladislao. Preserved within the historic Church of San Giovanni a Carbonara in Naples, Italy, these sculptural works transport us back to the Late Gothic period. Dating back to 1428, this artwork is a testament to Europe's rich medieval history. The photograph itself was taken in 1902, allowing us a glimpse into this magnificent piece that has stood for centuries. The image showcases an allegorical female figure, representing virtue and symbolizing abstract concepts. Surrounding her are various architectural elements such as spires and building decorations that add depth and grandeur to this monumental structure. The sculpture also features a male saint on horseback, believed to be St. John the Baptist or possibly even a depiction of King Ladislao himself. This suggests his significant role as both a political figure and leader during his reign over the Kingdom of Sicily and Naples. As we admire this print by Anderson from Alinari, it becomes evident that it represents more than just artistry; it encapsulates an era defined by nobility, monarchy, and societal dynamics. It serves as a reminder of Italy's complex history encompassing principalities, kingdoms, imperial rule, and national states. Through its meticulous craftsmanship in late Gothic style combined with its historical significance dating back hundreds of years ago – spanning across two millennia – this artwork stands as an enduring testament to human creativity throughout time.
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