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Assumption of the Virgin. High-relief of Pietro Bernini. Basilica of Santa Maria Maggiore, Rome

Assumption of the Virgin. High-relief of Pietro Bernini. Basilica of Santa Maria Maggiore, Rome


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Alinari

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Assumption of the Virgin. High-relief of Pietro Bernini. Basilica of Santa Maria Maggiore, Rome

Assumption of the Virgin. High-relief of Pietro Bernini. Basilica of Santa Maria Maggiore, Rome. Rome Basilica of Santa Maria Maggiore High Relief Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1608-1610. Artist:Bernini, Pietro

Anderson
ADA-F-017686-0000

Media ID 33156682

© Alinari Archives, Florence

Apostles Assumption Astonishment Childbaroque Cloud Human Psychology Life And Representations Of The Virgin Literature And Fiction Meteorological Putto Pyschological Behavior Surprise Natural Elements And Phenomena Subject


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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Literature

> Baroque paintings

> Europe > Italy > Lazio > Rome

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art

> Historical artwork


EDITORS COMMENTS
This print captures the awe-inspiring "Assumption of the Virgin" high-relief sculpture by Pietro Bernini, located in the magnificent Basilica of Santa Maria Maggiore in Rome. The artwork itself dates back to 1608-1610 and showcases the exquisite craftsmanship of Bernini, a renowned artist from the Renaissance-Baroque period. In this image, we witness a momentous scene where natural elements intertwine with religious symbolism. A cloud hovers above as if suspended in time, while a meteorological phenomenon unfolds before our eyes. The astonishment on the faces of apostles and angels is palpable, reflecting their psychological behavior when confronted with such divine intervention. The central figure is none other than the Virgin Mary herself, gracefully ascending towards heaven in her assumption. Surrounding her are cherubic putti and an array of nude human bodies representing life and its representations. This composition highlights both physiological and psychological aspects inherent to humanity. As we delve into this masterpiece's intricate details, it becomes evident that biblical narratives from the New Testament heavily influenced Bernini's work. The fusion of Baroque and Renaissance styles further enhances its grandeur. Captured around 1890 by Anderson from Alinari, this photograph allows us to appreciate not only Bernini's genius but also provides insight into Europe's artistic heritage during different historical periods spanning over two millennia. Let yourself be transported back in time as you explore this remarkable piece through Anderson's lens - marvel at its beauty while contemplating themes of faith, wonderment, and spiritual transcendence that continue to resonate today.

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