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The apse of the Sanctuary of the Santa Casa, Loreto

The apse of the Sanctuary of the Santa Casa, Loreto


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Alinari

Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia

The apse of the Sanctuary of the Santa Casa, Loreto

The apse of the Sanctuary of the Santa Casa, Loreto Loreto Church, Sanctuary High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1941. Date of Artwork:1468-1550. Artist:Donato di Pascuccio di Antonio known as Bramante, Giuliano Giamberti known as Giuliano da Sangallo, Antonio da Sangallo the Younger

Alinari, Fratelli
ACA-F-048765-0000

Media ID 33133160

© Alinari Archives, Florence

Apse Cupola Dome Exedra Three Light Window Tribune Turret Two Light Window


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Europe > Italy > Marche > Loreto

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures the majestic apse of the Sanctuary of the Santa Casa in Loreto, Italy. The image showcases the harmonious blend of architectural elements from various styles and periods, including High Renaissance, Renaissance-Baroque, and Europe's First and Second Millennium A. D. The artwork itself dates back to a period between 1468 and 1550 when renowned artists such as Donato di Pascuccio di Antonio (Bramante), Giuliano Giamberti (Giuliano da Sangallo), and Antonio da Sangallo the Younger contributed their expertise to this masterpiece. Their collective genius is evident in every intricate detail that adorns this religious structure. As we gaze upon this print by Alinari Fratelli taken in 1941, our eyes are drawn to the exedra, tribune, dome, cupola, turret - all meticulously designed components that make up this awe-inspiring sanctuary. The Christian symbolism embedded within each element speaks volumes about its purpose as a place for worship and spiritual solace. The two-light window on one side complements the three-light window on another with perfect symmetry. This balance further accentuates the grandeur of Renaissance architecture while hinting at Baroque influences that emerged during subsequent centuries. While appreciating this remarkable photograph captured by Alinari Fratelli's lens, we cannot help but marvel at how it encapsulates centuries worth of history within a single frame. It serves as a testament to human creativity across different eras while reminding us of our enduring fascination with religious structures throughout time.

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