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"Animal Locomotion" (plate 392): sequence with a naked man dragging an invisible object
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
"Animal Locomotion" (plate 392): sequence with a naked man dragging an invisible object
"Animal Locomotion" (plate 392): sequence with a naked man dragging an invisible object Great Britain. Date of Photograph:1887
Muybridge, Eadweard
PDC-A-004695-0392
Media ID 33268544
© Alinari Archives, Florence
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EDITORS COMMENTS
In this photograph captured by the renowned Eadweard Muybridge in 1887, we are transported back in time to witness a mesmerizing sequence of "Animal Locomotion". Plate 392 presents an intriguing scene where a naked man, his body bare and vulnerable, is depicted dragging an invisible object. Muybridge's mastery lies not only in freezing moments but also in revealing the hidden beauty of human movement. This particular image showcases his unparalleled ability to capture the essence of motion through stillness. The subject's muscles strain with effort as he pulls against an unseen resistance, creating a sense of tension that resonates with viewers even after all these years. The absence of any visible object adds an enigmatic quality to the composition, leaving us pondering about what could possibly be weighing him down. It invites us to reflect on our own struggles and burdens that may remain concealed from others' eyes. As we gaze upon this portrait, it becomes evident that Muybridge was not merely interested in documenting physicality; he sought to explore the intricate relationship between humans and their environment. By stripping away societal constructs such as clothing or material possessions, he exposes our vulnerability while highlighting our innate strength. This print from Alinari serves as a testament to Muybridge's artistic vision and technical prowess. Through his lens, he immortalizes fleeting moments that would otherwise go unnoticed or forgotten. As we contemplate this striking image frozen in time over a century ago, we are reminded of both our shared humanity and the timeless power of art itself.
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