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Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1785 by Antonio Zatta, Private Collection
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Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G. © Alinari Archives, Florence

Alinari
PDP-A-ZATTA4-0034

Media ID 33189781

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed

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This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea" offers a fascinating glimpse into the intricate cartography of Europe during the Renaissance-Baroque period. The engraving depicts a detailed map of Ancient Germany, meticulously dividing it into four major peoples while highlighting numerous smaller tribes and regions along the Danube River leading to the Adriatic Sea. This masterpiece not only serves as a geographical or topographical map but also conveys abstract concepts and symbols through its allegorical representation. Created in the eighteenth century, this artwork exemplifies both Renaissance and Baroque styles prevalent during that era. Its intricate details reflect meticulous craftsmanship, showcasing how maps were not merely instruments for navigation but also works of art meant to communicate complex information. This particular print was captured in 2009 from a private collection located in Florence. It is truly remarkable how this piece has withstood time since its creation over two centuries ago. Through Alinari's lens, we are transported back to an era where drawing graphics on paper was one of humanity's primary means of communication. As we admire this stunning artwork today, let us appreciate both its historical significance and artistic beauty—a testament to human ingenuity throughout different periods in history.


Framed Prints

Introducing the Media Storehouse Framed Print of Ancient Germany, an intriguing piece from the Newest Atlas published in Venice in 1785 by Antonio Zatta. This captivating engraving by G. Zuliani depicts Ancient Germany divided into its four major peoples, each distinguished by lesser and least tribes and regions along the Danube, with the area contained between it and the Adriatic Sea. This historic artwork, from the esteemed Alinari archive, adds an air of sophistication and knowledge to any space. Bring a piece of history into your home or office with the Media Storehouse Framed Print of Ancient Germany.


Photo Prints

Discover the rich history of Ancient Germany with this exquisite photographic print from Media Storehouse. This captivating image, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, showcases the four great peoples of Germany as depicted in an engraving by G. Zuliani. The intricate detail of the map, which highlights the lesser and least tribes and regions of the Danube contained between Germany and the Adriatic Sea, transports you back in time. This stunning print is a must-have for history enthusiasts and art collectors alike, and is proudly presented to you by Alinari. Bring a piece of history into your home or office with this beautiful, museum-quality print.


Poster Prints

Step back in time with our Ancient Germany Poster Print from Media Storehouse. This captivating reproduction showcases an engraving by G. Zuliani, originally published in the "Newest Atlas" of 1785 in Venice by Antonio Zatta. Witness the historical division of Ancient Germany into four great peoples, intricately detailed with lesser and least tribes and regions along the Danube. A fascinating addition to any history or art enthusiast's collection, this print brings the past to life.


Jigsaw Puzzles

Discover the rich history of Ancient Germany with our intricately detailed jigsaw puzzle from Media Storehouse. This captivating puzzle features an engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. Explore the intricacies of the map, which showcases the IV great peoples and their distinctive tribes and regions along the Danube, nestled between the mighty river and the Adriatic Sea. Perfect for history enthusiasts, puzzle collectors, or anyone seeking a challenging and educational pastime, this puzzle is a must-have addition to your collection. Delve into the past and piece together the fascinating history of Ancient Germany with Media Storehouse.

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Gallery Wall Inspiration

View of Florence from the Piazzale di Palazzo Pitti
PietA (St. Peters Basilica, Vatican) by Michelangelo, published in 1878
Arengario of Palazzo Vecchio with the copy of Michelangelo's David and the Ercole and Caco di Baccio Bandinelli; in the background the Uffizi square, Florence
Madonna and Child by Leonardo da Vinci
Skull anatomy by Leonardo da Vinci
St. Nicholasa Church in Ghent, Belgium Circa 1887
The copy of David by Michelangelo photographed against the backdrop of a cloudy sky, Piazzale Michelangelo, Florence
The Virgin and Child with Saint Anne and the Young Saint John the Baptist, chiaroscuro drawing on cardboard, by Leonardo da Vinci, housed in the Royal Academy in London
The Holy Night, oil on canvas, or Carlo Maratta Carlo Maratta (1625-1713), Gemldegalerie, Dresden
Cleopatra, drawing by Michelangelo. Gabinetto dei Disegni e delle Stampe, Galleria degli Uffizi, Florence
La Fortuna, drawing, Alessandro Allori (1535-1607), formerly Michelangelo Buonarroti, Cabinet of Drawings and Prints, Uffizi Gallery, Florence
Female head with earring, drawing by Michelangelo, The Ashomolean Museum of Art and Archaeology, Oxford
Perseus, work in bronze by Benvenuto Cellini, conserved in the Loggia della Signoria or Loggia de Lanzi in Florence
Piazza della Signoria and sight of via della Ninna, Florence; Photo studio
Piazza San Firenze in Florence
Statue of Christ resurrected, work by Michelangelo in S. Maria sopra Minerva, Rome
The dome of the Sanctuary of vicoforte in province of Cuneo
The Wedding Dance, (oil on panel)
Youth Brandishing a Cutlass, Maso Finiguerra (1426-1464)
Paracelsus (Theophrastus Philippus Aureolus Bombastus von Hohenheim) (1493-1541)
16th-century medical astrology
Rome, Quirinale Palace and Monte Cavallo Fountain, postcard
Trinit dei Monti
St. Peter's Square and the Spina di Borgo (before the construction of Via della Conciliazione), taken from the dome of the Basilica
Canale di Canonica (or Rio di Palazzo) in Venice. View of a row of bridges which cross it. In the background the Bridge of Sighs
Girl near a bronze statue of the Neptune fountain in Piazza della Signoria, Florence
The Flemish proverbs, oil on panel, Pieter Bruegel the Elder (1525-1569), Gemldegalerie, Berlin

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