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The Altar of Saint John in the Cathedral of Cesena
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The Altar of Saint John in the Cathedral of Cesena
The Altar of Saint John in the Cathedral of Cesena. Cesena Altar High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1494-1509. Artist:Bregno, Giovan Battista
Alinari, Fratelli
ACA-F-015639-0000
Media ID 33142861
© Alinari Archives, Florence
Jesus Christ Christ Child John The Baptist John The Evangelist Literature And Fiction Of A Couple Putto Shellhigh Renaissance Christian Religion
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The Altar of Saint John in the Cathedral of Cesena - A Glimpse into Renaissance Majesty
EDITORS COMMENTS
. This print transports us back to the grandeur and splendor of the High Renaissance period. Captured by Alinari, Fratelli, it showcases "The Altar of Saint John in the Cathedral of Cesena" a masterpiece created by Giovan Battista Bregno between 1494 and 1509. Steeped in European history, this altar represents a harmonious blend of Renaissance and Renaissance-Baroque styles. Its intricate details and exquisite craftsmanship are a testament to Bregno's artistic genius. The photograph itself was taken around 1915-1920, allowing us to appreciate this timeless artwork over centuries. At first glance, we are immediately drawn to the central figures depicted on the altar. Standing tall amidst an ethereal setting is Saint John himself – both as the Baptist and as the Evangelist. His presence exudes power and devotion, symbolizing his pivotal role within Christian religion. Surrounding him are various personages from literature and fiction that add depth to this tableau. Angels with delicate wings gracefully hover above while putti playfully adorn every corner with their cherubic charm. This congregation creates an atmosphere that feels both heavenly and earthly simultaneously. The attention to detail extends beyond these celestial beings; even objects like shells find their place within this opulent composition. Each element serves a purpose – be it religious symbolism or aesthetic beauty – further enhancing our appreciation for Bregno's vision. As we gaze upon this remarkable piece through Alinari's lens, we cannot help but marvel at its enduring allure across time periods spanning from First Millennium A. D. until today. It stands as a testament not only to artistic brilliance but also as a window into Europe's rich cultural heritage during one of its most transformative epochs.
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