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The altar of S. Maria ad Nives, sculpture preserved in the church of S. Domenico Maggiore in Naples
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The altar of S. Maria ad Nives, sculpture preserved in the church of S. Domenico Maggiore in Naples
The altar of S. Maria ad Nives, sculpture preserved in the church of S. Domenico Maggiore in Naples. Naples Church of S. Domenico Maggiore Altar High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1879-1910. Date of Artwork:1536. Artist:Marigliano, Giovanni (Giovanni da Nola)
Brogi
BGA-F-012785-0000
Media ID 33165697
© Alinari Archives, Florence
Inscription John The Baptist Life And Representations Of The Virgin Madonna And Child Christian Religion Subject
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EDITORS COMMENTS
This print showcases "The altar of S. Maria ad Nives" a remarkable sculpture preserved in the historic church of S. Domenico Maggiore in Naples, Italy. The artwork, created by Giovanni Marigliano (also known as Giovanni da Nola), dates back to 1536 and represents a harmonious blend of High Renaissance, Renaissance-Baroque styles and periods. In this photograph taken between 1879 and 1910 by Brogi from Alinari, we are presented with an exquisite depiction of religious devotion and artistic mastery. The intricately carved altar features an array of symbolic elements that evoke deep spiritual meaning. At the center stands the figure of Madonna and Child, radiating grace and tenderness. Their presence is surrounded by angelic beings who serve as messengers between heaven and earth. These celestial creatures appear to be engaged in profound communication, their gestures conveying divine messages to those who seek solace within these sacred walls. Flanking the central figures are representations of male saints - perhaps St. John the Baptist or Matthew - adding further layers of significance to this tableau vivant inspired by biblical narratives from the New Testament. Every detail on this altarpiece speaks volumes about the Christian religion's rich iconography during the Renaissance period in Europe. From intricate inscriptions to meticulously crafted instruments symbolizing various aspects of faith, it is evident that every element has been carefully considered to create a visual narrative that inspires awe and contemplation among its viewers. As we gaze upon this extraordinary artwork frozen in time through Brogi's lens, we are transported back centuries ago when art was not only a form of expression but also served as a conduit for spiritual enlightenment – reminding us once again why masterpieces like these continue to captivate audiences across generations.
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