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An altar-piece by Michael Wolgemut (1434-1519), composed of two panels. In the first, above, Saint Bernard removes Christ from the cross; in the background, a river landscape. In the second, Saint Christopher carries a child on his back, while leaning on a stick. To the left, behind the figure of the Saint, a monk is sitting on the bank of the river
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
An altar-piece by Michael Wolgemut (1434-1519), composed of two panels. In the first, above, Saint Bernard removes Christ from the cross; in the background, a river landscape. In the second, Saint Christopher carries a child on his back, while leaning on a stick. To the left, behind the figure of the Saint, a monk is sitting on the bank of the river
An altar-piece by Michael Wolgemut (1434-1519), composed of two panels. In the first, above, Saint Bernard removes Christ from the cross; in the background, a river landscape. In the second, Saint Christopher carries a child on his back, while leaning on a stick. To the left, behind the figure of the Saint, a monk is sitting on the bank of the river Germany. Date of Photograph:1880-1900 ca
Unidentified Author
PDC-F-003564-0000
Media ID 33271471
© Alinari Archives, Florence
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EDITORS COMMENTS
This photo print, titled "PDC-F-003564-0000" showcases an exquisite altar-piece created by the renowned artist Michael Wolgemut (1434-1519). Comprising of two panels, this masterpiece transports us to a world of religious devotion and serene landscapes. In the first panel, we witness Saint Bernard delicately removing Christ from the cross. The scene is set against a backdrop of a breathtaking river landscape, adding depth and tranquility to the composition. The tenderness with which Saint Bernard handles Christ's body evokes a sense of reverence and compassion. Moving on to the second panel, our attention is drawn towards Saint Christopher as he carries a child on his back while leaning on a sturdy stick. This iconic image symbolizes his role as the patron saint of travelers and protection against harm. To enhance this narrative further, situated behind Saint Christopher stands a monk seated peacefully on the riverbank. His presence adds an element of contemplation amidst nature's beauty. The date attributed to this remarkable photograph falls between 1880-1900 approximately, capturing its timeless appeal that has captivated generations throughout history. Although it remains unclear who exactly captured this stunning artwork in photographic form due to being credited to an unidentified author from Alinari, their skillful portrayal allows us to appreciate every intricate detail and emotion conveyed by Wolgemut's original painting. As we gaze upon this photo print, we are transported into an ethereal realm where spirituality intertwines with natural splendor – reminding us of art's power in transcending time and touching our souls profoundly.
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