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Allegory of Hope; work by Giovanni Dalmata. Detail of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City

Allegory of Hope; work by Giovanni Dalmata. Detail of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City


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Allegory of Hope; work by Giovanni Dalmata. Detail of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City

Allegory of Hope; work by Giovanni Dalmata. Detail of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City. State of the Vatican City Preconstantinian Necropolis Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1570 - 1590 ca.. Artist:Dalmata, Giovanni

Anderson
ADA-F-020473-0000

Media ID 33157238

© Alinari Archives, Florence

Catholicism Diadem Hand Hope Jewelry Low Reliefrenaissance Prayer Tabernacle Abstract Concept And Symbol Applied Arts And Crafts Christian Religion Concept Or Subject Expressed Parts Of The Body


FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Abstract Art > Sculpture > Related Images

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Sculpture > Abstract art

> Arts > Still life artwork > Abstract art > Fine art


EDITORS COMMENTS
Allegory of Hope; work by Giovanni Dalmata. Detail of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City. This photograph captures a mesmerizing detail from the magnificent monument to Pope Paul II in the Preconstantinian Necropolis of Vatican City. The artwork itself, created between 1570 and 1590 by Giovanni Dalmata, showcases his mastery in Renaissance-Baroque styles and periods. The focus of this image is an exquisite low relief sculpture that embodies the abstract concept and symbol of hope. Intricately carved with remarkable precision, it portrays a diadem-wearing figure adorned with jewelry, representing divinity or royalty. This allegorical representation stands against a backdrop of architectural elements reminiscent of tabernacles found in religious settings. The artist's attention to detail is evident as every fold in the clothing drapes naturally over the hand extended in prayer. The nude human body is delicately sculpted, capturing both strength and vulnerability simultaneously. As we delve into this scene steeped in Catholicism, we are transported back through time to witness a moment frozen for eternity – an embodiment of faith and aspiration captured within stone. It serves as a reminder that even amidst darkness or uncertainty, hope can be found if one seeks it earnestly. Photographed around 1890 by Anderson from Alinari, this print preserves not only the beauty but also the historical significance encapsulated within Dalmata's masterpiece. It invites us to appreciate European artistry spanning across centuries while contemplating profound concepts expressed through Renaissance Baroque styles. Let this photograph remind us that hope transcends time – an everlasting beacon guiding humanity towards brighter horizons.

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